MINEMURA, Toshiaki, "Kenji INUMAKI", "Etsutomu KASHIHARA[as is]", "Yoshihisa KITATSUJI", "Hideotoshi NAGASAWA[as is]", "Kishino SUGA", in Exhibition Catalogue, JAPAN: Tradition und Gegenwart, Städtische Kunsthalle Düsseldorf, Düsseldorf, 1974, pp. 40, 46, 60, 80, 112. (All text is descriptions about artists.)
MINEMURA, Toshiaki, "A la luz de Ariadna Dormida" in Exhibition Catalogue, de Chirico: Metafisica del Tiempo / Metafisica del Tempo, Ediciones Xavier Verstraeten, Buenos Aires, 1975, pp. 53-59. (Spanish translation: "Nella luce di Arianna Addormentata")
MINEMURA, Toshiaki, "Pourquoi les Japonais et les Sud-Coréens sont-ils seules Asiatiques qui participent à la Biennale de Paris?" in Exhibition Catalogue, 10e Biennale Paris, Idea Books, Milano, 1977, pp. 32-35. (English translation: "Why are the Japanese and the South Koreans the only Asian Artsits taking part in the Paris Biennale?")
MINEMURA, Toshiaki, [Non-Title], in Exhibition Catalogue, Kim Ku-Lim, Baek Nok Gallery, Seoul, 1975, pp. 6-9.
MINEMURA, Toshiaki, "Jeu de Shim, Jeu de la Matière" in Exhibition Catalogue, Shim, Moon-Seup: Works of 1970 - 1977, Muramatsu Gallery, Tokyo, 1977. (Included original text and Korean translation)
MINEMURA, Toshiaki, "Mono-Ha och Konsten efter Mono-Ha" in Exhibition Catalogue, Japanskt Kalejdoskop, Kalejdoskop, Ahus, Sweden, 1980, pp. 13-18.
MINEMURA, Toshiaki, "The Japanese Kaleidoscope (Survey in English)" in Exhibition Catalogue, Japanskt Kalejdoskop, Kalejdoskop, Ahus, Sweden, 1980, pp. 68-77.
MINEMURA, Toshiaki, "Lee U-Fan: Seine Kunst und Gedankenwelt" in Exhibition Catalogue, Zeichnung Heute: Meister der Zeichnung: Denes, Gäfgen, Tübke, U-Fan, Kunsthalle Nurnberg, Nurnberg, 1982, pp. 118-120.
MINEMURA, Toshiaki, "Unsere Auswahlkriterien" in Exhibition Catalogue, Zeichnung Heute: 2. Internationale Jugedtriennale der Zeichnung, Kunsthalle Nurnberg, Nurnberg, 1982, p. 129.
MINEMURA, Toshiaki, "Die Stellung der Zeichnung in Japan" in Exhibition Catalogue, Zeichnung Heute: 2. Internationale Jugedtriennale der Zeichnung, Kunsthalle Nurnberg, Nurnberg, 1982, p. 129.
MINEMURA, Toshiaki, "Einige Bemerkungen über die Japanischen Teilnehmer" in Exhibition Catalogue, Zeichnung Heute: 2. Internationale Jugedtriennale der Zeichnung, Kunsthalle Nurnberg, Nurnberg, 1982, pp. 129-130.
MINEMURA, Toshiaki, "Tomando un Camino Laborioso Redescubrieron la Pintura" in Exhibition Catalogue, VI Bienal Internacional de Arte Valparaiso, 1983 Japon, Japan Fondation, Tokyo, 1983, pp. 1-2.
MINEMURA, Toshiaki, "A Blast of Nationalism in the Seventies" in Exhibition Catalogue, Art in Japan Today II, Japan Fondation, Tokyo, 1984, pp. 16-23.
MINEMURA, Toshiaki, "Van 'Ruimtelijk Werk' tot Beeldhouwkunst" in Exhibition Catalogue, Oost West Forum: Japans-Nederlands Beeldhouwers Symposium, Nederlandse Kring van Beeldhouwers (Dutch Sculptors Association), Amsterdam, 1983, pp. 65-78. (English translation: "From 'Sculpturoid' to Sculpture")
MINEMURA, Toshiaki, "La Peinture de Ha Chong-Hyun et son Semi-Naturalisme" in Exhibition Catalogue, Ha, Chong-Hyun, Hyun-Dai Gallery, Seoul, 1984. (Included Korean translation)
MINEMURA, Toshiaki, "Una Poetica Forjada en la Escultura" in Exhibition Catalogue, Italia Aperta, Fundacion Caja de Pensiones, Barcelona, 1985, pp. 41-45.
「未完のサブジェクトの鼓動に導かれて」、『Shigeo Toya／戸谷成雄：後画廊企画 日本作家招待展』、後画廊（Hu Gallery）、1986年。（英訳、韓国語訳あり）
MINEMURA, Toshiaki, "Contemporary Japanese Painting" in Exhibition Catalogue, Contemporary Japanese Art, Taipei Fine Arts Museum, Taipei, 1986, pp. 6-9.
MINEMURA, Toshiaki, "With The Furrows Beneath The Plow" in Exhibition Catalogue, Park Seo-Bo: Retrospective, The National Museum of Contemporary Art, Seoul, 1991, pp. 84-87. (Included Korean translation)
MINEMURA, Toshiaki, "With The Furrows Beneath The Plow" in Catalogue Raisonné, Park Seo-Bo, The Seo-Bo Arts and Cultural Foundation, 1994, pp. 94-96, 100-101. (Included Korean translation)
MINEMURA, Toshiaki, "Genesi di Una <Barcologia>" in Exhibition Catalogue, Nagasawa: Ex Oriente, Il Quadrante Edizioni, Milano, June 1988, pp. 29-35.
MINEMURA, Toshiaki, "Che cosa é stato il Monoha?" in Exhibition Catalogue, MONOHA--LA SCUOLA DELLE COSA, De Luca Editore S.p.A., Roma,/Arnoldo Mondadori Editore S.p.A., Milano, 1988, pp. 23-29
MINEMURA, Toshiaki, "With The Furrows Beneath The Plow" in Exhibition Catalogue, Park, Seo-Bo, Hyun-Dai Gallery, Seoul, 1988. (Included Korean translation)
MINEMURA, Toshiaki, "Prints by Japanese Artists" in Exhibition Catalogue, Print Works by Leading Japanese Artists, 文建藝廊, 1989. (Included original text, "芸術家の版画―日本の場合" and Taiwanese translation)
MINEMURA, Toshiaki, "Ontsnappen uit het Object" in Exhibition Catalogue, 20ste Biennale Middelheim-Japan, Europalia 89 Japan in Belgium, Antwerpen, March 1989, pp. 53-67. (English translation: "Escape from the Object", pp. 174-180.)
MINEMURA, Toshiaki, "L'Impregnation et la Ligne" in Exhibition Catalogue, Roisement de Signes, Institute du Monde Arabe, Paris, 1989, pp. 31-35.
MINEMURA, Toshiaki, "Things Divided and Yet Indivisible" in Exhibition Catalogue, Shim Moon-seup, The Grayson Gallery, Chicago, 1989, pp. 3-5. (Translated by Keiko SUGAHARA)
MINEMURA, Toshiaki,"", in Exhibition Poster, Shim Moon-Seup: Wood Sculpture: Things Divided and yet, Hyun-Dai Gallery, Seoul, 1990. [韓訳にて訳出：「分割してもなお分割しえぬもの」、『Shim Moon-Seup』、児玉画廊、1988年。（英訳アリ）]【ハングル判読不可能のため保留】
MINEMURA, Toshiaki, "Seeking a Union of Space and Vision" in Exhibition Catalogue, Yoshio Shirakawa, Shinada Museum of Fine Art, Gunma, 1990, pp. 1-2.
MINEMURA, Toshiaki, "Interruption and Concealment" in Exhibition Catalogue, Park, Seo-Bo: Recent Works, Duson Gallery, Seoul, 1991, pp. 7-11. (Included Korean translation)
MINEMURA, Toshiaki, "Interruption and Concealment" in Exhibition Catalogue, Park Seo-Bo: Retrospective, The National Museum of Contemporary Art, Seoul, 1991, pp. 12-16. (Included Korean translation)
MINEMURA, Toshiaki, "Interruption and Concealment" in Catalogue Raisonné, Park Seo-Bo, The Seo-Bo Arts and Cultural Foundation, 1994, pp. 22-25, 30-32. (Included Korean translation)
MINEMURA, Toshiaki, "第四回現代彫塑展 コンペティションの審査に参加して" in Exhibition Catalogue, Contemporary Sculpture Exhibition: R. O. C., 1991, Taipei Fine Arts Museum, Taipei, 1991, pp. 23-27. (Included Taiwanese translation)
MINEMURA, Toshiaki, "The Glory of Kaohsiung" in Exhibition Catalogue, The First International Sculpture Symposium in Kaohsiung, Kaohsiung Museum of Fine Arts, 1991, pp. 16-27. (Included original text, "高雄の高揚と宣揚" and Chinese translation)
MINEMURA, Toshiaki, "Dialogue between Light and Shadow" in Exhibition Catalogue, Jun T. Lai, Cherng Piin Gallery, Taipei, 1992. (Included Taiwanese translation)
MINEMURA, Toshiaki, "「指し示すことと存在すること」" in Exhibition Catalogue, Artworld of Chung, Kyung-Yeun, Lynn City Museum, Massachusetts, 1992, pp. 34-37. (Included English translation)
MINEMURA, Toshiaki, "Impressions of the Second Screening" in Exhibition Catalogue, "Great Commonwelth of Peace and Prosperity" Open Competition in Stone Sculpture, Republic of China, Taipei Fine Arts Museum, Taipei, 1993, pp. 11-16. (Included original text,"寸感" and Taiwanese translation)
MINEMURA, Toshiaki, "Mono-Ha/Arte Povera = X/Transavanguardia" in Exhibition Catalogue, Italia form Arte Povera to Transavanguardia, Fondazione Mudima, Milano, March 1994, pp. 9-11.
MINEMURA, Toshiaki, "Two Different Vehicles for a Single Soul" in Exhibition Catalogue, Jun T. Lai: Sculpture Natural: Time Natural Space Natural Humanity Natural, [Publisher unknown (artist book?)], Taipei, 1995, pp. 95-96.
MINEMURA, Toshiaki, "イメージの池を渡りゆく絵画" in Exhibition Catalogue, Lee, Kang-So（李康昭）, Jo Hyun Gallery, Pusan, 1995. (Included Korean translation)
MINEMURA, Toshiaki, "日本絵画の野心／河原温 その１" in Exhibition Catalogue, On Kawara: Whole and Paris 1964-1995, Les Presses du Reel, Dijon, 1996, pp. 363-366. （採録：「見えないアトリエ ２４」、1978年5月）
MINEMURA, Toshiaki, "大地的空間感覚の表現を越えて／河原温 その２" in Exhibition Catalogue, On Kawara: Whole and Paris 1964-1995, Les Presses du Reel, Dijon, 1996, pp. 367-370. （採録：「見えないアトリエ ２５」、1978年）
MINEMURA, Toshiaki, "時の行人／河原温 その３" in Exhibition Catalogue, On Kawara: Whole and Paris 1964-1995, Les Presses du Reel, Dijon, 1996, pp. 371-374. （採録：「見えないアトリエ ２６」、1978年）
MINEMURA, Toshiaki, "Water, Sand, Shadow: The Last Painter Who Gazes beyond the Vanishing Point of Three Culture" in Exhibition Catalogue, Imai, Electa, Milano, 1998, pp. 421-422. (translated in english and recorded again: Imai. Hiroshima, essays by Minemura Toshiaki, Felix Guattari, Imai Toshimitsu, Gan Gallery, Tokyo 1997, pp. 7-8.)
MINEMURA, Toshiaki, "Toshiaki Minemura" in Exhibition Catalogue, Guilin Yuzi Paradise: International Sculpture Symposium, Art Department, Guilin Yuzi Paradise, Guilin, China, 1998, pp. 122-125.(Included Chinese translation.)
A Figure of Sculpture of Lai Chi Man(The Collection of Toshiaki Munemura), in Exhibition Catalogue, Lai Chi Man, 攝影家出版社, Taipei, 1999, p. 137.
MINEMURA, Toshiaki, "Painting That Crosses The Pond of Images" in Exhibition Catalogue, Lee Kang So: The River is Moving, Artsonje Museum, Gyeongsangbuk-do, Korea, 2003, pp. 34-41. (Included Korean translation)
MINEMURA, Toshiaki, "「彫刻」の旅人" in Exhibition Catalogue, KIM, JI IN - Traces, Keumsan Gallery, Seoul, 2004.（韓国語訳あり）
MINEMURA, Toshiaki, "Les Nouveaux Japonnais" in L'Oeil: Revue d'Art, Paris, no. 219, Octobre 1973, p. 47.
MINEMURA, Toshiaki, "Mono-Ha e Post Mono-Ha" in Domus, Rozzano / Milano, no. 596, Numero 1973, p. 45-46.
MINEMURA, Toshiaki, "Giappone: A Letter, April 10th, 1981" in Domus, Rozzano / Milano, no. 618, Giugno 1973, p. 51-53.
MINEMURA, Toshiaki, "Occhi Tattili. Mimmo Paladino a Tokyo" in Tema Celeste, Siracusa, no. 14, Febbraio 1988, pp. 47-49. (translated by Giuseppina Carveni)
MINEMURA, Toshiaki, "Interruption and Concealment Park, Seo-Bo" in ART in KOREA, Seoul, no. 8, August 1993, p. 16-39.
MINEMURA, Toshiaki, "A la luz de Ariadna Dormida" in Exhibition Catalogue, de Chirico: Metafisica del Tiempo / Metafisica del Tempo, Ediciones Xavier Verstraeten, Buenos Aires, 1975, pp. 53-59. (Spanish translation: "Nella luce di Arianna Addormentata")
MINEMURA, Toshiaki, "Pourquoi les Japonais et les Sud-Coréens sont-ils seules Asiatiques qui participent à la Biennale de Paris?" in Exhibition Catalogue, 10e Biennale Paris, Idea Books, Milano, 1977, pp. 32-35. (English translation: "Why are the Japanese and the South Koreans the only Asian Artsits taking part in the Paris Biennale?")
MINEMURA, Toshiaki, [Non-Title], in Exhibition Catalogue, Kim Ku-Lim, Baek Nok Gallery, Seoul, 1975, pp. 6-9.
MINEMURA, Toshiaki, "Jeu de Shim, Jeu de la Matière" in Exhibition Catalogue, Shim, Moon-Seup: Works of 1970 - 1977, Muramatsu Gallery, Tokyo, 1977. (Included original text and Korean translation)
MINEMURA, Toshiaki, "Mono-Ha och Konsten efter Mono-Ha" in Exhibition Catalogue, Japanskt Kalejdoskop, Kalejdoskop, Ahus, Sweden, 1980, pp. 13-18.
MINEMURA, Toshiaki, "The Japanese Kaleidoscope (Survey in English)" in Exhibition Catalogue, Japanskt Kalejdoskop, Kalejdoskop, Ahus, Sweden, 1980, pp. 68-77.
MINEMURA, Toshiaki, "Lee U-Fan: Seine Kunst und Gedankenwelt" in Exhibition Catalogue, Zeichnung Heute: Meister der Zeichnung: Denes, Gäfgen, Tübke, U-Fan, Kunsthalle Nurnberg, Nurnberg, 1982, pp. 118-120.
MINEMURA, Toshiaki, "Unsere Auswahlkriterien" in Exhibition Catalogue, Zeichnung Heute: 2. Internationale Jugedtriennale der Zeichnung, Kunsthalle Nurnberg, Nurnberg, 1982, p. 129.
MINEMURA, Toshiaki, "Die Stellung der Zeichnung in Japan" in Exhibition Catalogue, Zeichnung Heute: 2. Internationale Jugedtriennale der Zeichnung, Kunsthalle Nurnberg, Nurnberg, 1982, p. 129.
MINEMURA, Toshiaki, "Einige Bemerkungen über die Japanischen Teilnehmer" in Exhibition Catalogue, Zeichnung Heute: 2. Internationale Jugedtriennale der Zeichnung, Kunsthalle Nurnberg, Nurnberg, 1982, pp. 129-130.
MINEMURA, Toshiaki, "Tomando un Camino Laborioso Redescubrieron la Pintura" in Exhibition Catalogue, VI Bienal Internacional de Arte Valparaiso, 1983 Japon, Japan Fondation, Tokyo, 1983, pp. 1-2.
MINEMURA, Toshiaki, "A Blast of Nationalism in the Seventies" in Exhibition Catalogue, Art in Japan Today II, Japan Fondation, Tokyo, 1984, pp. 16-23.
MINEMURA, Toshiaki, "Van 'Ruimtelijk Werk' tot Beeldhouwkunst" in Exhibition Catalogue, Oost West Forum: Japans-Nederlands Beeldhouwers Symposium, Nederlandse Kring van Beeldhouwers (Dutch Sculptors Association), Amsterdam, 1983, pp. 65-78. (English translation: "From 'Sculpturoid' to Sculpture")
MINEMURA, Toshiaki, "La Peinture de Ha Chong-Hyun et son Semi-Naturalisme" in Exhibition Catalogue, Ha, Chong-Hyun, Hyun-Dai Gallery, Seoul, 1984. (Included Korean translation)
MINEMURA, Toshiaki, "Una Poetica Forjada en la Escultura" in Exhibition Catalogue, Italia Aperta, Fundacion Caja de Pensiones, Barcelona, 1985, pp. 41-45.
「未完のサブジェクトの鼓動に導かれて」、『Shigeo Toya／戸谷成雄：後画廊企画 日本作家招待展』、後画廊（Hu Gallery）、1986年。（英訳、韓国語訳あり）
MINEMURA, Toshiaki, "Contemporary Japanese Painting" in Exhibition Catalogue, Contemporary Japanese Art, Taipei Fine Arts Museum, Taipei, 1986, pp. 6-9.
MINEMURA, Toshiaki, "With The Furrows Beneath The Plow" in Exhibition Catalogue, Park Seo-Bo: Retrospective, The National Museum of Contemporary Art, Seoul, 1991, pp. 84-87. (Included Korean translation)
MINEMURA, Toshiaki, "With The Furrows Beneath The Plow" in Catalogue Raisonné, Park Seo-Bo, The Seo-Bo Arts and Cultural Foundation, 1994, pp. 94-96, 100-101. (Included Korean translation)
MINEMURA, Toshiaki, "Genesi di Una <Barcologia>" in Exhibition Catalogue, Nagasawa: Ex Oriente, Il Quadrante Edizioni, Milano, June 1988, pp. 29-35.
MINEMURA, Toshiaki, "Che cosa é stato il Monoha?" in Exhibition Catalogue, MONOHA--LA SCUOLA DELLE COSA, De Luca Editore S.p.A., Roma,/Arnoldo Mondadori Editore S.p.A., Milano, 1988, pp. 23-29
MINEMURA, Toshiaki, "With The Furrows Beneath The Plow" in Exhibition Catalogue, Park, Seo-Bo, Hyun-Dai Gallery, Seoul, 1988. (Included Korean translation)
MINEMURA, Toshiaki, "Prints by Japanese Artists" in Exhibition Catalogue, Print Works by Leading Japanese Artists, 文建藝廊, 1989. (Included original text, "芸術家の版画―日本の場合" and Taiwanese translation)
MINEMURA, Toshiaki, "Ontsnappen uit het Object" in Exhibition Catalogue, 20ste Biennale Middelheim-Japan, Europalia 89 Japan in Belgium, Antwerpen, March 1989, pp. 53-67. (English translation: "Escape from the Object", pp. 174-180.)
MINEMURA, Toshiaki, "L'Impregnation et la Ligne" in Exhibition Catalogue, Roisement de Signes, Institute du Monde Arabe, Paris, 1989, pp. 31-35.
MINEMURA, Toshiaki, "Things Divided and Yet Indivisible" in Exhibition Catalogue, Shim Moon-seup, The Grayson Gallery, Chicago, 1989, pp. 3-5. (Translated by Keiko SUGAHARA)
MINEMURA, Toshiaki,"", in Exhibition Poster, Shim Moon-Seup: Wood Sculpture: Things Divided and yet, Hyun-Dai Gallery, Seoul, 1990. [韓訳にて訳出：「分割してもなお分割しえぬもの」、『Shim Moon-Seup』、児玉画廊、1988年。（英訳アリ）]【ハングル判読不可能のため保留】
MINEMURA, Toshiaki, "Seeking a Union of Space and Vision" in Exhibition Catalogue, Yoshio Shirakawa, Shinada Museum of Fine Art, Gunma, 1990, pp. 1-2.
MINEMURA, Toshiaki, "Interruption and Concealment" in Exhibition Catalogue, Park, Seo-Bo: Recent Works, Duson Gallery, Seoul, 1991, pp. 7-11. (Included Korean translation)
MINEMURA, Toshiaki, "Interruption and Concealment" in Exhibition Catalogue, Park Seo-Bo: Retrospective, The National Museum of Contemporary Art, Seoul, 1991, pp. 12-16. (Included Korean translation)
MINEMURA, Toshiaki, "Interruption and Concealment" in Catalogue Raisonné, Park Seo-Bo, The Seo-Bo Arts and Cultural Foundation, 1994, pp. 22-25, 30-32. (Included Korean translation)
MINEMURA, Toshiaki, "第四回現代彫塑展 コンペティションの審査に参加して" in Exhibition Catalogue, Contemporary Sculpture Exhibition: R. O. C., 1991, Taipei Fine Arts Museum, Taipei, 1991, pp. 23-27. (Included Taiwanese translation)
MINEMURA, Toshiaki, "The Glory of Kaohsiung" in Exhibition Catalogue, The First International Sculpture Symposium in Kaohsiung, Kaohsiung Museum of Fine Arts, 1991, pp. 16-27. (Included original text, "高雄の高揚と宣揚" and Chinese translation)
MINEMURA, Toshiaki, "Dialogue between Light and Shadow" in Exhibition Catalogue, Jun T. Lai, Cherng Piin Gallery, Taipei, 1992. (Included Taiwanese translation)
MINEMURA, Toshiaki, "「指し示すことと存在すること」" in Exhibition Catalogue, Artworld of Chung, Kyung-Yeun, Lynn City Museum, Massachusetts, 1992, pp. 34-37. (Included English translation)
MINEMURA, Toshiaki, "Impressions of the Second Screening" in Exhibition Catalogue, "Great Commonwelth of Peace and Prosperity" Open Competition in Stone Sculpture, Republic of China, Taipei Fine Arts Museum, Taipei, 1993, pp. 11-16. (Included original text,"寸感" and Taiwanese translation)
MINEMURA, Toshiaki, "Mono-Ha/Arte Povera = X/Transavanguardia" in Exhibition Catalogue, Italia form Arte Povera to Transavanguardia, Fondazione Mudima, Milano, March 1994, pp. 9-11.
MINEMURA, Toshiaki, "Two Different Vehicles for a Single Soul" in Exhibition Catalogue, Jun T. Lai: Sculpture Natural: Time Natural Space Natural Humanity Natural, [Publisher unknown (artist book?)], Taipei, 1995, pp. 95-96.
MINEMURA, Toshiaki, "イメージの池を渡りゆく絵画" in Exhibition Catalogue, Lee, Kang-So（李康昭）, Jo Hyun Gallery, Pusan, 1995. (Included Korean translation)
MINEMURA, Toshiaki, "日本絵画の野心／河原温 その１" in Exhibition Catalogue, On Kawara: Whole and Paris 1964-1995, Les Presses du Reel, Dijon, 1996, pp. 363-366. （採録：「見えないアトリエ ２４」、1978年5月）
MINEMURA, Toshiaki, "大地的空間感覚の表現を越えて／河原温 その２" in Exhibition Catalogue, On Kawara: Whole and Paris 1964-1995, Les Presses du Reel, Dijon, 1996, pp. 367-370. （採録：「見えないアトリエ ２５」、1978年）
MINEMURA, Toshiaki, "時の行人／河原温 その３" in Exhibition Catalogue, On Kawara: Whole and Paris 1964-1995, Les Presses du Reel, Dijon, 1996, pp. 371-374. （採録：「見えないアトリエ ２６」、1978年）
MINEMURA, Toshiaki, "Water, Sand, Shadow: The Last Painter Who Gazes beyond the Vanishing Point of Three Culture" in Exhibition Catalogue, Imai, Electa, Milano, 1998, pp. 421-422. (translated in english and recorded again: Imai. Hiroshima, essays by Minemura Toshiaki, Felix Guattari, Imai Toshimitsu, Gan Gallery, Tokyo 1997, pp. 7-8.)
MINEMURA, Toshiaki, "Toshiaki Minemura" in Exhibition Catalogue, Guilin Yuzi Paradise: International Sculpture Symposium, Art Department, Guilin Yuzi Paradise, Guilin, China, 1998, pp. 122-125.(Included Chinese translation.)
A Figure of Sculpture of Lai Chi Man(The Collection of Toshiaki Munemura), in Exhibition Catalogue, Lai Chi Man, 攝影家出版社, Taipei, 1999, p. 137.
MINEMURA, Toshiaki, "Painting That Crosses The Pond of Images" in Exhibition Catalogue, Lee Kang So: The River is Moving, Artsonje Museum, Gyeongsangbuk-do, Korea, 2003, pp. 34-41. (Included Korean translation)
MINEMURA, Toshiaki, "「彫刻」の旅人" in Exhibition Catalogue, KIM, JI IN - Traces, Keumsan Gallery, Seoul, 2004.（韓国語訳あり）
MINEMURA, Toshiaki, "Les Nouveaux Japonnais" in L'Oeil: Revue d'Art, Paris, no. 219, Octobre 1973, p. 47.
MINEMURA, Toshiaki, "Mono-Ha e Post Mono-Ha" in Domus, Rozzano / Milano, no. 596, Numero 1973, p. 45-46.
MINEMURA, Toshiaki, "Giappone: A Letter, April 10th, 1981" in Domus, Rozzano / Milano, no. 618, Giugno 1973, p. 51-53.
MINEMURA, Toshiaki, "Occhi Tattili. Mimmo Paladino a Tokyo" in Tema Celeste, Siracusa, no. 14, Febbraio 1988, pp. 47-49. (translated by Giuseppina Carveni)
MINEMURA, Toshiaki, "Interruption and Concealment Park, Seo-Bo" in ART in KOREA, Seoul, no. 8, August 1993, p. 16-39.
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