アメリカのNational Magazine Awardshttp://
カテゴリーはいろいろありますが、このフォトージャーナリストのコミュニティに関連するものだけに限ると、200万部以上刊行の業績部門、あわせて写真部門も受賞したのはナショナルジオグラフィック。
幅広い内容を取り扱った写真が評価されており、その中には2006年12月に発表されたジェームス・ナクトウエイのドキュメンタリーMedics treating wounded soldiers and civilians in the Iraq warも含まれている様です。
更に細かくフォトジャーナリズムの部門があり、ノミネートされた中からザ・パリス・レビューのジョナス・ベンディクセンのKibera（ナイロビのスラムに焦点をあてたストーリー）http://
フォトジャーナリズム部門のノミネート作品（上記以外）
Aperture: Melissa Harris, editor-in-chief; Yolanda Cuomo, art director, for Silhouettes: Muslim Women of the Middle East and Afghanistan, by Caroline Mangez, photographs by Alexandra Boulat, Winter.
National Geographic: Chris Johns, editor-in-chief; David Griffin, senior editor, photography; Susan A. Smith, deputy director, photography, for The Heroes, The Healing, by Neil Shea, photographs by James Nachtwey, December.
The New Yorker: David Remnick, editor; Elisabeth Biondi, director of photography, for The Waste Land, by Robert Polidori, January 9.
Vanity Fair: Graydon Carter, editor; David Harris, design director; Susan White, photography director, for The Vietnam Syndrome, by Christopher Hitchens, photographs by James Nachtwey, August.
その他、関連する部門のノミネート作品と受賞作品はこちら。
PHOTOGRAPHY
This category recognizes excellence in magazine photography. It honors the effectiveness of photography, photojournalism and photo illustration in enhancing a magazine’s unique mission and personality.
WINNER National Geographic: Chris Johns, editor-in-chief; David Griffin, senior editor, photography; Susan A. Smith, deputy director, photography, for May, November, December issues.
Country Home: Carol Sheehan, editor-in-chief; Mary Emmerling, creative director; Shelley Caldwell, art director, for February, April, June issues.
Gourmet: Ruth Reichl, editor-in-chief; Richard Ferretti, creative director; Erika Oliveira, art director; Amy Koblenzer, photo editor, for September, October, December issues.
Martha Stewart Living: Martha Stewart, founder; Margaret Roach, editorial director; Eric A. Pike, creative director; James Dunlinson and Joele Cuyler, art directors; Heloise Goodman, photography director, for January, July, December issues.
W: Patrick McCarthy, chairman and editorial director; Dennis Freedman, creative director; Edward Leida, group design director; Bridget Foley, executive editor; Julie L. Belcove, deputy editor; Nathalie Kirsheh, art director; Nadia Vellam, photo editor, for June, September, November issues.
PHOTOJOURNALISM
This category recognizes the informative photographic documentation of an event or subject in real-time. Although photo essays accompanied by text will be eligible, they will be judged primarily on the strength of the photographs.
WINNER The Paris Review: Philip Gourevitch, editor, for Kibera, by Jonas Bendiksen, Winter.
Aperture: Melissa Harris, editor-in-chief; Yolanda Cuomo, art director, for Silhouettes: Muslim Women of the Middle East and Afghanistan, by Caroline Mangez, photographs by Alexandra Boulat, Winter.
National Geographic: Chris Johns, editor-in-chief; David Griffin, senior editor, photography; Susan A. Smith, deputy director, photography, for The Heroes, The Healing, by Neil Shea, photographs by James Nachtwey, December.
The New Yorker: David Remnick, editor; Elisabeth Biondi, director of photography, for The Waste Land, by Robert Polidori, January 9.
Vanity Fair: Graydon Carter, editor; David Harris, design director; Susan White, photography director, for The Vietnam Syndrome, by Christopher Hitchens, photographs by James Nachtwey, August.
PHOTO PORTFOLIO
This category honors creative photography and photo illustration. Although photo essays accompanied by text will be eligible, they will be judged primarily on the strength of the photographs.
WINNER City: John McDonald, editorial director and publisher; Fabrice G. Frere, creative director and COO; Adriana Jacoud, art director; Sarah Greenfield, photo editor, for White Heat (begins p. 86), photographed by Horacio Salinas, April.
City: John McDonald, editorial director and publisher; Fabrice G. Frere, creative director and COO; Adriana Jacoud, art director; Sarah Greenfield, photo editor, for Penitentiary (begins p. 102), photographed by Kenji Toma, March.
Details: Daniel Peres, editor-in-chief; Rockwell Harwood, creative director; Liane Radel, photography director, for How TV Became Hollywood’s Leading Man, photographed by Michael Thompson, August.
Vogue: Anna Wintour, editor-in-chief; Grace Coddington, creative director; Charles Churchward, design director; Danko Steiner, art director; Ivan Shaw, photo director, for Teen Queen, photographed by Annie Leibovitz, September.
W: Patrick McCarthy, chairman and editorial director; Dennis Freedman, creative director; Edward Leida, group design director; Bridget Foley, executive editor; Julie L. Belcove, deputy editor; Nathalie Kirsheh, art director; Nadia Vellam, photo editor, for Welcome to the Motor City, by Bruce Weber, September.
※上記をNational Magazine Awardshttpのサイト上で確認すると、詳細の中からリンクを辿れます。
カテゴリーはいろいろありますが、このフォトージャーナリストのコミュニティに関連するものだけに限ると、200万部以上刊行の業績部門、あわせて写真部門も受賞したのはナショナルジオグラフィック。
幅広い内容を取り扱った写真が評価されており、その中には2006年12月に発表されたジェームス・ナクトウエイのドキュメンタリーMedics treating wounded soldiers and civilians in the Iraq warも含まれている様です。
更に細かくフォトジャーナリズムの部門があり、ノミネートされた中からザ・パリス・レビューのジョナス・ベンディクセンのKibera（ナイロビのスラムに焦点をあてたストーリー）http://
フォトジャーナリズム部門のノミネート作品（上記以外）
Aperture: Melissa Harris, editor-in-chief; Yolanda Cuomo, art director, for Silhouettes: Muslim Women of the Middle East and Afghanistan, by Caroline Mangez, photographs by Alexandra Boulat, Winter.
National Geographic: Chris Johns, editor-in-chief; David Griffin, senior editor, photography; Susan A. Smith, deputy director, photography, for The Heroes, The Healing, by Neil Shea, photographs by James Nachtwey, December.
The New Yorker: David Remnick, editor; Elisabeth Biondi, director of photography, for The Waste Land, by Robert Polidori, January 9.
Vanity Fair: Graydon Carter, editor; David Harris, design director; Susan White, photography director, for The Vietnam Syndrome, by Christopher Hitchens, photographs by James Nachtwey, August.
その他、関連する部門のノミネート作品と受賞作品はこちら。
PHOTOGRAPHY
This category recognizes excellence in magazine photography. It honors the effectiveness of photography, photojournalism and photo illustration in enhancing a magazine’s unique mission and personality.
WINNER National Geographic: Chris Johns, editor-in-chief; David Griffin, senior editor, photography; Susan A. Smith, deputy director, photography, for May, November, December issues.
Country Home: Carol Sheehan, editor-in-chief; Mary Emmerling, creative director; Shelley Caldwell, art director, for February, April, June issues.
Gourmet: Ruth Reichl, editor-in-chief; Richard Ferretti, creative director; Erika Oliveira, art director; Amy Koblenzer, photo editor, for September, October, December issues.
Martha Stewart Living: Martha Stewart, founder; Margaret Roach, editorial director; Eric A. Pike, creative director; James Dunlinson and Joele Cuyler, art directors; Heloise Goodman, photography director, for January, July, December issues.
W: Patrick McCarthy, chairman and editorial director; Dennis Freedman, creative director; Edward Leida, group design director; Bridget Foley, executive editor; Julie L. Belcove, deputy editor; Nathalie Kirsheh, art director; Nadia Vellam, photo editor, for June, September, November issues.
PHOTOJOURNALISM
This category recognizes the informative photographic documentation of an event or subject in real-time. Although photo essays accompanied by text will be eligible, they will be judged primarily on the strength of the photographs.
WINNER The Paris Review: Philip Gourevitch, editor, for Kibera, by Jonas Bendiksen, Winter.
Aperture: Melissa Harris, editor-in-chief; Yolanda Cuomo, art director, for Silhouettes: Muslim Women of the Middle East and Afghanistan, by Caroline Mangez, photographs by Alexandra Boulat, Winter.
National Geographic: Chris Johns, editor-in-chief; David Griffin, senior editor, photography; Susan A. Smith, deputy director, photography, for The Heroes, The Healing, by Neil Shea, photographs by James Nachtwey, December.
The New Yorker: David Remnick, editor; Elisabeth Biondi, director of photography, for The Waste Land, by Robert Polidori, January 9.
Vanity Fair: Graydon Carter, editor; David Harris, design director; Susan White, photography director, for The Vietnam Syndrome, by Christopher Hitchens, photographs by James Nachtwey, August.
PHOTO PORTFOLIO
This category honors creative photography and photo illustration. Although photo essays accompanied by text will be eligible, they will be judged primarily on the strength of the photographs.
WINNER City: John McDonald, editorial director and publisher; Fabrice G. Frere, creative director and COO; Adriana Jacoud, art director; Sarah Greenfield, photo editor, for White Heat (begins p. 86), photographed by Horacio Salinas, April.
City: John McDonald, editorial director and publisher; Fabrice G. Frere, creative director and COO; Adriana Jacoud, art director; Sarah Greenfield, photo editor, for Penitentiary (begins p. 102), photographed by Kenji Toma, March.
Details: Daniel Peres, editor-in-chief; Rockwell Harwood, creative director; Liane Radel, photography director, for How TV Became Hollywood’s Leading Man, photographed by Michael Thompson, August.
Vogue: Anna Wintour, editor-in-chief; Grace Coddington, creative director; Charles Churchward, design director; Danko Steiner, art director; Ivan Shaw, photo director, for Teen Queen, photographed by Annie Leibovitz, September.
W: Patrick McCarthy, chairman and editorial director; Dennis Freedman, creative director; Edward Leida, group design director; Bridget Foley, executive editor; Julie L. Belcove, deputy editor; Nathalie Kirsheh, art director; Nadia Vellam, photo editor, for Welcome to the Motor City, by Bruce Weber, September.
※上記をNational Magazine Awardshttpのサイト上で確認すると、詳細の中からリンクを辿れます。
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