「世界のゴトウ」にとって、ヨーロッパ初参戦になる予定だった、パリのセクシー国際映画祭。
しかし今回は、監督の仕事の都合により、不参加になってしまうそうだ、、、。
特に今回は、「夜明けの牛」と「ブラインド・ラブ」が同時に選ばれた事もあり、非常に残念で仕方がない！
しかし残念なのは、我々ファンよりも、監督本人であろう、、、。
しかし「世界のゴトウ」には、まだまだチャンスがある！
毎年５月に行われるカンヌ国際映画祭だ！
新作は、このカンヌで勝負して頂きたい！
以下が、世界のゴトウから映画祭に向けて送られたメッセージである。
英語であるが、是非、ファンの方々にも読んで頂きたいものである。
It is with great disappointment that I am unable to attend the Sexy International Paris Film Festival. I was delighted and am honored that two of my films have been selected to appear in this prestigious festival. Despite attempts to rearrange my schedule, I could not manage to work out a way to make the trip to the festival. It is not because I am watching the World Cup. I am actually on tight deadlines for projects I am currently writing.
For a long time, I have wanted to visit Paris I could walk into the café bar where Jean-Pierre Léaud witnessed shooting in, “Masculin, féminin: 15 faits précis.” I have also wished to visit the pont de Bir-Hakeim, the site of the memorable scene from “Last Tango In Paris,” in which Maria Schneider showed her panties. If I were to make the trip to the festival, I would have the opportunity to visit the pont. However, my life does not always go how I’d like it to.
The characters in my two films, “Blind Love” and “A Lonely Cow Weeps at Dawn,” similarly cannot always live in the manner they prefer. They struggle for change to improve their lives.
Some people say that “Blind Love” resembles Chaplin’s “Lime Light,” but I think it could more closely resemble “Cyrano de Bergerac.” My desire to work with the late, great actor, Mr. Horyu Nakamura, in a pink film, enabled me to create the odd film that is “A Lonely Cow Weeps at Dawn.”
I wish that even French people, who are cool but have a sharp tongue, will enjoy my films.
Sincerely,
Daisuke Goto
しかし今回は、監督の仕事の都合により、不参加になってしまうそうだ、、、。
特に今回は、「夜明けの牛」と「ブラインド・ラブ」が同時に選ばれた事もあり、非常に残念で仕方がない！
しかし残念なのは、我々ファンよりも、監督本人であろう、、、。
しかし「世界のゴトウ」には、まだまだチャンスがある！
毎年５月に行われるカンヌ国際映画祭だ！
新作は、このカンヌで勝負して頂きたい！
以下が、世界のゴトウから映画祭に向けて送られたメッセージである。
英語であるが、是非、ファンの方々にも読んで頂きたいものである。
It is with great disappointment that I am unable to attend the Sexy International Paris Film Festival. I was delighted and am honored that two of my films have been selected to appear in this prestigious festival. Despite attempts to rearrange my schedule, I could not manage to work out a way to make the trip to the festival. It is not because I am watching the World Cup. I am actually on tight deadlines for projects I am currently writing.
For a long time, I have wanted to visit Paris I could walk into the café bar where Jean-Pierre Léaud witnessed shooting in, “Masculin, féminin: 15 faits précis.” I have also wished to visit the pont de Bir-Hakeim, the site of the memorable scene from “Last Tango In Paris,” in which Maria Schneider showed her panties. If I were to make the trip to the festival, I would have the opportunity to visit the pont. However, my life does not always go how I’d like it to.
The characters in my two films, “Blind Love” and “A Lonely Cow Weeps at Dawn,” similarly cannot always live in the manner they prefer. They struggle for change to improve their lives.
Some people say that “Blind Love” resembles Chaplin’s “Lime Light,” but I think it could more closely resemble “Cyrano de Bergerac.” My desire to work with the late, great actor, Mr. Horyu Nakamura, in a pink film, enabled me to create the odd film that is “A Lonely Cow Weeps at Dawn.”
I wish that even French people, who are cool but have a sharp tongue, will enjoy my films.
Sincerely,
Daisuke Goto
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世界の映画監督：後藤大輔！ 更新情報
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