現代美術作家、マイク・ケリーが新作について
話すそうです。
２月１７日２時＠ゲッティーレクチャーホール
誰か行かれる人いたら声かけてください〜。
Mike Kelley
The Music of Day Is Done
Friday, February 17, 2006, 2:00 p.m.
The Getty Center
Museum Lecture Hall
1200 Getty Center Drive
Los Angeles
www.getty.edu
Artist Mike Kelley has embraced many forms of media in his work, spanning the spectrum from high art to vernacular tradition while drawing on historical research, mass culture, and psychological theory as points of reference. After a short introduction to the history of his work with sound, Kelley focuses on his most recent project, Day Is Done, a large multi-channel video and sculpture installation. The installation is a sculptural version of a feature-length musical, incorporating elements from a wide variety of musical styles and compositional approaches. In addition to screening select video clips from the project, Kelley plays soundtrack music without the image to generate a pure sound experience. He recounts the process of working on Day is Done and addresses his current thoughts on the place of sound in his artistic practice.
Respondent: Branden Joseph, Associate Professor, Department of Art History, University of California, Irvine
Mike Kelley is professor of fine art in the graduate program at Art Center College of Design in Pasadena. His work has encompassed many different genres庸rom sculptures composed of common craft materials in the 1980s to the improvisational noise band Destroy All Monsters. Kelley has been the subject of numerous exhibitions, including Catholic Tastes, a traveling retrospective of his work organized by the Whitney Museum of American Art in 1993, and The Uncanny, a curatorial project presented at the Tate Liverpool and the Museum Moderner Kunst Stiftung Ludwig Wien in 2004. Kelley has published several volumes of critical writings and has received numerous prestigious awards, among them a Guggenheim Fellowship.
Branden Joseph is associate professor of contemporary art in the Department of Art History at the University of California, Irvine. He is the author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde (2003) and Anthony McCall: The Solid Light Films and Related Works (2005). Joseph is a founding editor of Grey Room, a multi-disciplinary journal of architecture, art, media, and politics.
Every year the Research Institute hosts a series of public presentations of work in progress in art history and the humanities. Each presentation is followed by a response and roundtable discussion, also open to interested public. The purpose of the series is to promote discussion of current topics and themes among scholars and students from different universities in the area.
The 2005・006 Works in Progress series was developed by Miwon Kwon, associate professor of art history, University of California, Los Angeles, and 2003・004 Getty scholar. Next in the series: filmmaker Jeffrey Skoller, March 3, 2006.
Admission to this event is free, but reservations are required. Parking at the Getty is $7.00 per car.
Make your reservation online or call (310) 440-7300.
話すそうです。
２月１７日２時＠ゲッティーレクチャーホール
誰か行かれる人いたら声かけてください〜。
Mike Kelley
The Music of Day Is Done
Friday, February 17, 2006, 2:00 p.m.
The Getty Center
Museum Lecture Hall
1200 Getty Center Drive
Los Angeles
www.getty.edu
Artist Mike Kelley has embraced many forms of media in his work, spanning the spectrum from high art to vernacular tradition while drawing on historical research, mass culture, and psychological theory as points of reference. After a short introduction to the history of his work with sound, Kelley focuses on his most recent project, Day Is Done, a large multi-channel video and sculpture installation. The installation is a sculptural version of a feature-length musical, incorporating elements from a wide variety of musical styles and compositional approaches. In addition to screening select video clips from the project, Kelley plays soundtrack music without the image to generate a pure sound experience. He recounts the process of working on Day is Done and addresses his current thoughts on the place of sound in his artistic practice.
Respondent: Branden Joseph, Associate Professor, Department of Art History, University of California, Irvine
Mike Kelley is professor of fine art in the graduate program at Art Center College of Design in Pasadena. His work has encompassed many different genres庸rom sculptures composed of common craft materials in the 1980s to the improvisational noise band Destroy All Monsters. Kelley has been the subject of numerous exhibitions, including Catholic Tastes, a traveling retrospective of his work organized by the Whitney Museum of American Art in 1993, and The Uncanny, a curatorial project presented at the Tate Liverpool and the Museum Moderner Kunst Stiftung Ludwig Wien in 2004. Kelley has published several volumes of critical writings and has received numerous prestigious awards, among them a Guggenheim Fellowship.
Branden Joseph is associate professor of contemporary art in the Department of Art History at the University of California, Irvine. He is the author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde (2003) and Anthony McCall: The Solid Light Films and Related Works (2005). Joseph is a founding editor of Grey Room, a multi-disciplinary journal of architecture, art, media, and politics.
Every year the Research Institute hosts a series of public presentations of work in progress in art history and the humanities. Each presentation is followed by a response and roundtable discussion, also open to interested public. The purpose of the series is to promote discussion of current topics and themes among scholars and students from different universities in the area.
The 2005・006 Works in Progress series was developed by Miwon Kwon, associate professor of art history, University of California, Los Angeles, and 2003・004 Getty scholar. Next in the series: filmmaker Jeffrey Skoller, March 3, 2006.
Admission to this event is free, but reservations are required. Parking at the Getty is $7.00 per car.
Make your reservation online or call (310) 440-7300.
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