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コメント(28)
ハスマニアンさん、
はじめまして。これから英語で書きますので すみません。
Other than Philadelphia, it is difficult to find good examples of Duchamp's original works. As you know, Duchamp created very few pieces. Most of the works in collections around the world are commisioned copies of his readymades or sketches/notes unrelated to his major works. Duchamp did his best to keep his 'body of work' in Philadelphia.
Some of Duchamp's early paintings are scattered around museums and collections in Europe and the U.S. However, they are not very interesting to most Duchamp fans. Duchamp himself, took almost no interest to locate his early paintings or sketches.
I really like Richard Hamilton's copy of The Large Glass at the Tate Modern in London. To me, it is a very important because Duchamp himself supported the work. In addition, Hamilton's Large Glass was created before most of the other readymade copies (which the Tate has a collection).
Because I have been to Philadelphia, I never look for Duchamp's works at other museums. However, I am always happy when I find them!
I hope somebody in this community knows more about this topic!
I am sorry for all the English! よろしく！
-Seth
はじめまして。これから英語で書きますので すみません。
Other than Philadelphia, it is difficult to find good examples of Duchamp's original works. As you know, Duchamp created very few pieces. Most of the works in collections around the world are commisioned copies of his readymades or sketches/notes unrelated to his major works. Duchamp did his best to keep his 'body of work' in Philadelphia.
Some of Duchamp's early paintings are scattered around museums and collections in Europe and the U.S. However, they are not very interesting to most Duchamp fans. Duchamp himself, took almost no interest to locate his early paintings or sketches.
I really like Richard Hamilton's copy of The Large Glass at the Tate Modern in London. To me, it is a very important because Duchamp himself supported the work. In addition, Hamilton's Large Glass was created before most of the other readymade copies (which the Tate has a collection).
Because I have been to Philadelphia, I never look for Duchamp's works at other museums. However, I am always happy when I find them!
I hope somebody in this community knows more about this topic!
I am sorry for all the English! よろしく！
-Seth
Hi, Seth
Thank you for information.
About the copy of the large glass,
as you told, 1st copy was by Hamilton in London
(teacher of Bryan Ferry!),
do you have any information about 2nd copy
by Wolf LInde. Where is this? in Sweden?
He created some interprertationable pieces about the large glass,
I remember.
3rd one is, we know in tokyo by Shuzo Takiguchi...
sorry about horrible English!
Thank you for information.
About the copy of the large glass,
as you told, 1st copy was by Hamilton in London
(teacher of Bryan Ferry!),
do you have any information about 2nd copy
by Wolf LInde. Where is this? in Sweden?
He created some interprertationable pieces about the large glass,
I remember.
3rd one is, we know in tokyo by Shuzo Takiguchi...
sorry about horrible English!
Hi gorge,
Your English is not horrible at all! It is actually pretty good.
Thank you for the message. The Hamilton/Linde copies are actually a pretty interesting story...
Linde built his first copy of the Large Glass in 1961 (he later built another, I believe). Though Linde's copy was an artistic work in itself (like the original, it was even damaged in transport!), it was also seen as a chance to finally show the world a replica of Duchamp's masterpiece (which could not be moved from Philadelphia). Because I believe it was built with money from the National Museum in Stockholm, I think it stays there when it is not on tour.
I am interested in Hamilton's work because of the direct support Hamilton received from Duchamp (Duchamp also signed it, I believe, making it the first 'official' Duchamp reproduction). I think the Hamilton copy was completed in 1964.
In addition to Takiguchi's copy, I think there are several other copies in existence.
By the way, are you a Bryan Ferry fan, too?
Let's keep in touch!
-Seth
Your English is not horrible at all! It is actually pretty good.
Thank you for the message. The Hamilton/Linde copies are actually a pretty interesting story...
Linde built his first copy of the Large Glass in 1961 (he later built another, I believe). Though Linde's copy was an artistic work in itself (like the original, it was even damaged in transport!), it was also seen as a chance to finally show the world a replica of Duchamp's masterpiece (which could not be moved from Philadelphia). Because I believe it was built with money from the National Museum in Stockholm, I think it stays there when it is not on tour.
I am interested in Hamilton's work because of the direct support Hamilton received from Duchamp (Duchamp also signed it, I believe, making it the first 'official' Duchamp reproduction). I think the Hamilton copy was completed in 1964.
In addition to Takiguchi's copy, I think there are several other copies in existence.
By the way, are you a Bryan Ferry fan, too?
Let's keep in touch!
-Seth
Hi Seth and all,
Thank you for kind reply.
Seth:
Linde built his first copy of the Large Glass in 1961 (he later built another, I believe). Though Linde's copy was an artistic work in itself (like the original, it was even damaged in transport!),
I didn't know Linde's another copy exist,
and the fact glass was broken!
In Duchamp's miniarure, the crack was reproducted.
He accepted the event,and I think the crack added
"aura" to the glass.
I wrote short essay about "the way of cracking of glass"
on my BROG(in Japanese) in the past.
http://blog.livedoor.jp/gorge_analogue/archives/22456406.html
Why do you think Linde's copy is artistic?
Seth:
Because I believe it was built with money from the National Museum in Stockholm, I think it stays there when it is not on tour.
I see. Thank you for information.but both?
any difference?
Seth:
In addition to Takiguchi's copy, I think there are several other copies in existence.
Also I did not these copies.
Seth:
By the way, are you a Bryan Ferry fan, too?
haha,yes. I also like Brain Eno.
Ferry made "the bride stripped bare" record,
and Eno made "kurts rejoinder" song,
I like their music of course,
I am interested in them as sons of DADA.
I am happy to talk with you in such style!
Thank you for kind reply.
Seth:
Linde built his first copy of the Large Glass in 1961 (he later built another, I believe). Though Linde's copy was an artistic work in itself (like the original, it was even damaged in transport!),
I didn't know Linde's another copy exist,
and the fact glass was broken!
In Duchamp's miniarure, the crack was reproducted.
He accepted the event,and I think the crack added
"aura" to the glass.
I wrote short essay about "the way of cracking of glass"
on my BROG(in Japanese) in the past.
http://blog.livedoor.jp/gorge_analogue/archives/22456406.html
Why do you think Linde's copy is artistic?
Seth:
Because I believe it was built with money from the National Museum in Stockholm, I think it stays there when it is not on tour.
I see. Thank you for information.but both?
any difference?
Seth:
In addition to Takiguchi's copy, I think there are several other copies in existence.
Also I did not these copies.
Seth:
By the way, are you a Bryan Ferry fan, too?
haha,yes. I also like Brain Eno.
Ferry made "the bride stripped bare" record,
and Eno made "kurts rejoinder" song,
I like their music of course,
I am interested in them as sons of DADA.
I am happy to talk with you in such style!
2006年１月25日にＮＹのMoMAでデュシャンの作品を
いくつか観ました。
写真１：『３つの停止原器』(1913-1914)
大ガラスの曲線を描くために開発された、有名な曲線定規
ですね。偶然を缶詰にするという偉大なアイデアの結晶であり
僕の大好きな作品です。
写真２：『片目で、近くから、ほぼ一時間ぐらい見られるべき
もの（ガラスの裏側から）』（1918）
"To be looked at (from the Other Side of the Glass)
with One Eye, Close to, for Almost an Hour"(1918)
僕が、この作品の指示通りに、片目でレンズに近づいて鑑賞を
続けていたところ、監視員がやってきて「もっと離れてください」
と言うので、数センチ離れて「これでどうだ？」と言うと、彼は
あきれ顔で去っていきました。
このほかにも、Black Windowとか、ルーレットの自画像も
展示されてました。
いくつか観ました。
写真１：『３つの停止原器』(1913-1914)
大ガラスの曲線を描くために開発された、有名な曲線定規
ですね。偶然を缶詰にするという偉大なアイデアの結晶であり
僕の大好きな作品です。
写真２：『片目で、近くから、ほぼ一時間ぐらい見られるべき
もの（ガラスの裏側から）』（1918）
"To be looked at (from the Other Side of the Glass)
with One Eye, Close to, for Almost an Hour"(1918)
僕が、この作品の指示通りに、片目でレンズに近づいて鑑賞を
続けていたところ、監視員がやってきて「もっと離れてください」
と言うので、数センチ離れて「これでどうだ？」と言うと、彼は
あきれ顔で去っていきました。
このほかにも、Black Windowとか、ルーレットの自画像も
展示されてました。
しん（22）さん、
テートの大ガラスは自分も見ました。
世界に8個あるうちの一つ。
国内で開かれたデュシャン展（過去2回?）では東京大学所有のもが展示されてたと記憶しています。
本物は自分も見ていません。
ひび入りの本物はフィラデルフィア美術館にあります。
ひびが入って作品が完成したと作者は言ったそうですよ。
Philadelphia Museum of Art - Collections Object : The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)
http://goo.gl/WjwMS
テートの大ガラスは自分も見ました。
世界に8個あるうちの一つ。
国内で開かれたデュシャン展（過去2回?）では東京大学所有のもが展示されてたと記憶しています。
本物は自分も見ていません。
ひび入りの本物はフィラデルフィア美術館にあります。
ひびが入って作品が完成したと作者は言ったそうですよ。
Philadelphia Museum of Art - Collections Object : The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)
http://goo.gl/WjwMS
上のコメントで紹介した「知への旅」の中で驚くべき事実が報道されてたので、もう一言。
デュシャンが生前、テートで開かれた回顧展に行った際、
あることにとても怒ったと言うエピソード。
何に怒ったかと言うと、デュシャンが大恋愛（不倫）の末に別れたブラジル人女性彫刻家が、
彼から送られた小さな抽象画作品を出品したからでした。
番組の中では、その作品はどうやら精液で描かれたものらしいとのことでした！
自分はこの件を見聞きして、ダンディーでクールなデュシャンの別の側面を垣間見た気がしました。
そして、デュシャン研究は美学的、美術的視点からだけではデュシャンの仕掛けた罠にはまると思いました。
デュシャンが生前、テートで開かれた回顧展に行った際、
あることにとても怒ったと言うエピソード。
何に怒ったかと言うと、デュシャンが大恋愛（不倫）の末に別れたブラジル人女性彫刻家が、
彼から送られた小さな抽象画作品を出品したからでした。
番組の中では、その作品はどうやら精液で描かれたものらしいとのことでした！
自分はこの件を見聞きして、ダンディーでクールなデュシャンの別の側面を垣間見た気がしました。
そして、デュシャン研究は美学的、美術的視点からだけではデュシャンの仕掛けた罠にはまると思いました。
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