1949年7月3日、静岡県沼津市に生まれる。
映画との最初の遭遇は5歳のとき、沼津セントラル劇場で見た「山河遥かなり」。このフレッド・ジンネマン監督作品を見て主演のモンゴメリー・クリフトのファンとなる。映画の現場との最初の遭遇はほぼ同じころ、御殿場で目撃した「七人の侍」。小学生時代は東映時代劇のファン。殊に大川橋蔵と大川恵子が好きだった。小学校の高学年になると西部劇、戦争映画中心にアメリカ映画に傾倒。「ワーロック」以来、リチャード・ウィドマーク大好き少年となって現在に至る。ウィドマーク主演映画を作るのが夢でもある。
沼津東高校在学中から映画監督となる夢を追いはじめるものの、自主製作には走らず、ひたすら商業映画でのデビューを目指す。といっても、現実には大学浪人してみたり喫茶店でバイトしたり（「さらば映画の友よ」にその当時の様子が描かれている）写真専門学校へ通ったり英語学校へ通ったりキネ旬友の会で映画友達を漁ったりの、とりとめのない4年間を過ごす。
1972年1月から6月までロンドンに語学留学。この時期に英国で公開された「ラスト・ショー」の評論をキネマ旬報に書いてプロの評論家デビュー。ロンドンでは英語学校よりもナショナル・フィルム・シアターに連日通って、ハードコアなシネアストに成長。そこでハワード・ホークスを「再発見」して、映画監督としての理想の姿を「コンドル」（1939）を中心とするホークス作品の登場人物たちに見出す。同年7月、サンセバスチャン映画祭に審査委員長として招かれたホークスとの出会いを求め、ロンドンからベルリン映画祭を経てサンセバスチャンへ入る。バスク地方の港町で始まったホークスとの交友は、以後1977年12月26日のホークス逝去まで継続することになる。
1973年からはロサンゼルスをベースに本格的な映画評論活動を始め、1976年ジャーナリストの福田みずほと結婚。長女麻穂はヴァンクーヴァー在住。長男遊人は「金融腐蝕列島・呪縛」のクリス・ゴタンダ役で本格的に役者デビュー。「狗神」では準主役の土居誠二を演じている。急速に原田作品に欠かせない俳優に育ちつつある。
原田家のカリフォルニアと日本との二重生活は21世紀になっても続きそうだ。
Masato Harada was born in Numazu, Japan, on July 3, 1949.
The first movie he saw was THE SEARCH (1948) by Fred Zinnemann. It was at the Numazu Central Theater and he was five years old. Although he didnﾕt memorize the directorﾕs name but he was able to pronounce the name of its star, Montgomery Clift. The episode in which Montey hands the war orphan (played by Ivan Jandl) a piece of bread became Harada's primal screen image.
Often, Harada talks about the impact of the black and white films he saw in his early Numazu days. Particularly, he was influenced by the realistic nature of the earlier works of Lumet, Pontecorvo, Frankenheimer and Kurosawa, namely 12 ANGRY MEN (1957), KAPO (1959), THE YOUNG SAVAGES (1961) and THE HIDDEN FORTRESS (1958). Those were the films chosen by his mother, who was an avid moviegoer in the 50s, and he was merely "hanging around."
His very first encounter with film making scene took place some time in 1954, when Akira Kurosawa was filming SEVEN SAMURAI in Gotemba, near Harada's home town. Again, it was his motherﾕs intention to watch her favorite actor, Isao Kimura to play Katsushiro on location. So she escorted her son to Gotemba for a piano lesson at her friendﾕs as an excuuse, then after twenty minutes lesson they took a walk to the filming site. All Harada remembers now is the horror of the samurai/bandits on the horseback. No Kurosawa, no Mifune.
Soon afterwards, he became a fan of chanbara jidaigeki, period films with samurai swordsplay, from Toei Company. He was able to visit the jidaigeki Capitol, Kyoto, during the summer vacations in late 50s. Her mother, along with her parents, owned a local inn, Miyako Ryokan, where film crews from Kyoto occasionally stayed.
Harada's screen idol shifted from Monty to Hashizo Okawa, a rising Toei star, then to Richard Widmark as he saw WARLOCK (1959). And he is still a big fan of Widmark's.
In 1972, while studying English in London, Harada "rediscovered" Howard Hawks. There was a mini Hawks tribute at National Film Theater and Harada was hugely entertained by ONLY ANGELS HAVE WINGS (1939). One night, Peter Bogdanovich was invited to NFT and gave a lecture on his films, using the clips from his new film, THE LAST PICTURE SHOW (1971), which was to open in London. Harada reported the experience to Kinema Jumpo magazine, the oldest film magazine in Japan, along with rave review on TLPS. Thus he made a debut as a film journalist.
In the summer of 1972, he visited Berlin Film Festival as a Kinema Jumpo correspondent and then went to cover San Sebastian Film Festival, where Hawks was invited as the president of jury. He met his mentor in Spain. Their "relationship" lasted for five years til Hawks' death in 1977. Hawks died on December 26, which was Widmark's birthday.
Harada moved to Los Angeles in 1973. Throughout the 70s, he had been active as a film reviewer/reporter to numerous magazines and newspapers in Japan.
In 1979, he directed his first feature, GOODBYE FLICKMANIA, a Hawksian buddy movie, in the tradition of A GIRL IN EVERY PORT (1928). It was also a semi-autobiography based upon his relationship with a 17 years old hooker and a radical film buff. Harada used his parents' caf? as the main location of the drama, set in 1968.
He is married to a journalist, Mizuho Fukuda in 1976. Eldest daughter Maho lives in Europe. His son, Eugene, became an actor after attending Neighborhood Playhouse in New York and played Chris Gotanda in JUBAKU/SPELLBOUND (1999), Seiji Doi in INUGAMI (2001) and Officer Ushiroda in THE CHOICE OF HERCULES (2002). He is growing up into an indispensable member of the Harada Stock Company. The Harada family keeps the houses in Tokyo and Glendale, California.
映画との最初の遭遇は5歳のとき、沼津セントラル劇場で見た「山河遥かなり」。このフレッド・ジンネマン監督作品を見て主演のモンゴメリー・クリフトのファンとなる。映画の現場との最初の遭遇はほぼ同じころ、御殿場で目撃した「七人の侍」。小学生時代は東映時代劇のファン。殊に大川橋蔵と大川恵子が好きだった。小学校の高学年になると西部劇、戦争映画中心にアメリカ映画に傾倒。「ワーロック」以来、リチャード・ウィドマーク大好き少年となって現在に至る。ウィドマーク主演映画を作るのが夢でもある。
沼津東高校在学中から映画監督となる夢を追いはじめるものの、自主製作には走らず、ひたすら商業映画でのデビューを目指す。といっても、現実には大学浪人してみたり喫茶店でバイトしたり（「さらば映画の友よ」にその当時の様子が描かれている）写真専門学校へ通ったり英語学校へ通ったりキネ旬友の会で映画友達を漁ったりの、とりとめのない4年間を過ごす。
1972年1月から6月までロンドンに語学留学。この時期に英国で公開された「ラスト・ショー」の評論をキネマ旬報に書いてプロの評論家デビュー。ロンドンでは英語学校よりもナショナル・フィルム・シアターに連日通って、ハードコアなシネアストに成長。そこでハワード・ホークスを「再発見」して、映画監督としての理想の姿を「コンドル」（1939）を中心とするホークス作品の登場人物たちに見出す。同年7月、サンセバスチャン映画祭に審査委員長として招かれたホークスとの出会いを求め、ロンドンからベルリン映画祭を経てサンセバスチャンへ入る。バスク地方の港町で始まったホークスとの交友は、以後1977年12月26日のホークス逝去まで継続することになる。
1973年からはロサンゼルスをベースに本格的な映画評論活動を始め、1976年ジャーナリストの福田みずほと結婚。長女麻穂はヴァンクーヴァー在住。長男遊人は「金融腐蝕列島・呪縛」のクリス・ゴタンダ役で本格的に役者デビュー。「狗神」では準主役の土居誠二を演じている。急速に原田作品に欠かせない俳優に育ちつつある。
原田家のカリフォルニアと日本との二重生活は21世紀になっても続きそうだ。
Masato Harada was born in Numazu, Japan, on July 3, 1949.
The first movie he saw was THE SEARCH (1948) by Fred Zinnemann. It was at the Numazu Central Theater and he was five years old. Although he didnﾕt memorize the directorﾕs name but he was able to pronounce the name of its star, Montgomery Clift. The episode in which Montey hands the war orphan (played by Ivan Jandl) a piece of bread became Harada's primal screen image.
Often, Harada talks about the impact of the black and white films he saw in his early Numazu days. Particularly, he was influenced by the realistic nature of the earlier works of Lumet, Pontecorvo, Frankenheimer and Kurosawa, namely 12 ANGRY MEN (1957), KAPO (1959), THE YOUNG SAVAGES (1961) and THE HIDDEN FORTRESS (1958). Those were the films chosen by his mother, who was an avid moviegoer in the 50s, and he was merely "hanging around."
His very first encounter with film making scene took place some time in 1954, when Akira Kurosawa was filming SEVEN SAMURAI in Gotemba, near Harada's home town. Again, it was his motherﾕs intention to watch her favorite actor, Isao Kimura to play Katsushiro on location. So she escorted her son to Gotemba for a piano lesson at her friendﾕs as an excuuse, then after twenty minutes lesson they took a walk to the filming site. All Harada remembers now is the horror of the samurai/bandits on the horseback. No Kurosawa, no Mifune.
Soon afterwards, he became a fan of chanbara jidaigeki, period films with samurai swordsplay, from Toei Company. He was able to visit the jidaigeki Capitol, Kyoto, during the summer vacations in late 50s. Her mother, along with her parents, owned a local inn, Miyako Ryokan, where film crews from Kyoto occasionally stayed.
Harada's screen idol shifted from Monty to Hashizo Okawa, a rising Toei star, then to Richard Widmark as he saw WARLOCK (1959). And he is still a big fan of Widmark's.
In 1972, while studying English in London, Harada "rediscovered" Howard Hawks. There was a mini Hawks tribute at National Film Theater and Harada was hugely entertained by ONLY ANGELS HAVE WINGS (1939). One night, Peter Bogdanovich was invited to NFT and gave a lecture on his films, using the clips from his new film, THE LAST PICTURE SHOW (1971), which was to open in London. Harada reported the experience to Kinema Jumpo magazine, the oldest film magazine in Japan, along with rave review on TLPS. Thus he made a debut as a film journalist.
In the summer of 1972, he visited Berlin Film Festival as a Kinema Jumpo correspondent and then went to cover San Sebastian Film Festival, where Hawks was invited as the president of jury. He met his mentor in Spain. Their "relationship" lasted for five years til Hawks' death in 1977. Hawks died on December 26, which was Widmark's birthday.
Harada moved to Los Angeles in 1973. Throughout the 70s, he had been active as a film reviewer/reporter to numerous magazines and newspapers in Japan.
In 1979, he directed his first feature, GOODBYE FLICKMANIA, a Hawksian buddy movie, in the tradition of A GIRL IN EVERY PORT (1928). It was also a semi-autobiography based upon his relationship with a 17 years old hooker and a radical film buff. Harada used his parents' caf? as the main location of the drama, set in 1968.
He is married to a journalist, Mizuho Fukuda in 1976. Eldest daughter Maho lives in Europe. His son, Eugene, became an actor after attending Neighborhood Playhouse in New York and played Chris Gotanda in JUBAKU/SPELLBOUND (1999), Seiji Doi in INUGAMI (2001) and Officer Ushiroda in THE CHOICE OF HERCULES (2002). He is growing up into an indispensable member of the Harada Stock Company. The Harada family keeps the houses in Tokyo and Glendale, California.
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