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1¡¡Also¡¡pronunded seikaiha. A wave design made of the arches of concentric circles superimposed upon one another so that only the upper portion of each set of circles is visible. It was used in China to depict the sea on ancient maps. In Japan it appears earliest on the clothing of a haniwa ¾ýÎØ figure of a girl excavated in Gunma prefecture. Beginning in the Heian period it was used on mo ¾Ø, a form of shirt worn with the "twelve-layers" juunihitoe ½½Æóñ of kimono Ãåʪ. It appears on Seto ceramic ware *setoyaki À¥¸Í¾Æ and lacquerware inkstone cases of the Kamakura period. In the Edo period Seikai Kanshichi Àij¤´ª¼· devised a way to paint the design in black lacquer using a brush; some authorities suggest this may have been the origin of the term "seigaiha" to describe this design.

2¡¡A decorative pattern of semicircular repeated wave shapes used to decorate the built up ridges of temples, halls, and gates during the proto-modern period (latter 16c-19c). It is one of the simplest patterns with broad, curved tiles placed in rows. The tiles of every other row straddle the meeting point of every two tiles below. The pattern has a wide veriety of other uses:
1. A pattern drawn with a broom on sand in a garden *samon ¼Óʸ.
2. A pattern formed when wave-shaped tiles were plastered to outside walls. During the 16-19c.
3. A pattern used in textile dying which first appered on costumes for ancient court dance gagaku ²í³Ú.
4. A pattern used for mother-of-perl inlay *raden Íæîï, which became popular in he Genroku ¸µÏ½ era (1688-1703)

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