Frank Thiel’s photographs are unique reflections upon the urban landscape of Berlin, that twentieth-century patchwork of architecture and intellect. Thiel (born 1966 in Kleinmachnow, near Berlin) describes a type of architecture in transition, the formation of a new political space within urban structures, but his real subject matter is the incomplete: he prefers the process of construction over the end result, and persistently pursues the aesthetics of temporality and change. Thiel’s special ability to inscribe the dialectic relationship between ideology and aesthetics in his photographs prevents any appearance of sentimentality.