mixi¤Ç¼ñÌ£¤ÎÏäò¤·¤è¤¦

mixi¥³¥ß¥å¥Ë¥Æ¥£¤Ë¤Ï270Ëü¤òĶ¤¨¤ë¼ñÌ£¥³¥ß¥å¥Ë¥Æ¥£¤¬¤¢¤ë¤è
¥í¥°¥¤¥ó¤â¤·¤¯¤ÏÅÐÏ¿¤ò¤·¤ÆƱ¤¸¼ñÌ£¤Î¿Í¤È½Ð²ñ¤ª¤¦¢ö

ATJAZZ OFFICIAL FAN PAGE

  • mixi¥Á¥§¥Ã¥¯
  • ¤³¤Î¥¨¥ó¥È¥ê¡¼¤ò¤Ï¤Æ¤Ê¥Ö¥Ã¥¯¥Þ¡¼¥¯¤ËÄɲÃ
¾ÜºÙ 2018ǯ7·î18Æü 13:48¹¹¿·

¥¢¥Ã¥È¥¸¥ã¥º¤Ï¡¢¥Þ¡¼¥Æ¥£¥ó¡¦¥¢¥¤¥Ö¥½¥ó¡Ê¥é¥¤¥Ê¡¼¤Ë¤è¤Ã¤Æ¤Ï¡¢¥Þ¡¼¥Æ¥£¥ó¡¦¥¤¥ô¥½¥ó¤ä¥Þ¡¼¥Æ¥¤¥ó¡¦¥¢¥¤¥ô¥¡¡¼¥½¥ó¤È¤Îɽµ­Í­¤ê¡Ë¤Ë¤è¤ë¥½¥í¡¦¥æ¥Ë¥Ã¥È¤Ç¤¢¤ë¡£±Ñ¹ñ¤Î¥À¡¼¥Ó¡¼½Ð¿È¡£Ìµ°Ù¤ÎÀĽդò¥¤¥®¥ê¥¹ÅìË̤ÎÊÕ¶­¤ÎÄ®¤Ç²á¤´¤·¤¿¥Þ¡¼¥Æ¥£¥ó¡¦¥¢¥¤¥Ö¥½¥ó¤Ï£¹£°Ç¯Âå½é´ü¡¢ÆâΦÉô¤Ëé¤êÃ夭¡¢¥²¡¼¥à²ñ¼Ò Core Design¤Î¥²¡¼¥à²»³Ú¥¯¥ê¥¨¡¼¥¿¡¼¤È¤·¤Æ¡¢£±£³Ç¯´Ö¡¢³Î¸Ç¤¿¤ëÃϰ̤òÃÛ¤­¡¢PCÍÑ¥²¡¼¥à¤Î ¡Ö ¥È¥¥¡¼¥à¡¦¥ì¥¤¥À¡¼¥¹ ¡×¡Ê±Ç²è¤Ç¤Ï¤Ê¤¯¡¢¥²¡¼¥à¤¬¥ª¥ê¥¸¥Ê¥ë¤Ç¤¹¡Ë Åù¤Î²»³Ú¤òôÅö¤·¤¿¼ÂÀӤλý¤Á¼ç¡£

1996ǯ¤Ë¡¢¥Þ¥ó¥Æ¥£¥¹¥ì¥³¡¼¥É¤è¤ê¡¢¡ÖSTORY¡×¤ò¥ê¥ê¡¼¥¹¡¢¤½¤Î¸å¡¢1998ǯ¤Ë¡¢±Ñ¹ñ¤Î¿·±Ô¥Ï¥¦¥¹¡¦¥ì¡¼¥Ù¥ëDIVERSIONS ¤«¤é¡¢ÀÖÄÍÉÔÆóÉ×»á¤ÎÅ·ºÍ¥Ð¥«¥Ü¥ó¤Î¥¤¥é¥¹¥È¥ì¡¼¥·¥ç¥ó¤Î¥¸¥ã¥±¥Ã¥È¤Çͭ̾¤È¤Ê¤Ã¤¿¡ÖTHAT SOMETHING¡×¡ÊSONY¡Ë¤ò¥ê¥ê¡¼¥¹¤·¡¢NU JAZZ¥¢¡¼¥Á¥¹¥È¤Î°ì¿Í¤È¤·¤Æ¥Ç¥Ó¥å¡¼¤ò²Ì¤¿¤·¤Þ¤¹¡£¤½¤Î¸å¡¢2002ǯ¤Ë¡¢¡ÖLab funk¡×¤Ê¤é¤Ó¤Ë¡ÖLab results¡×¤ò¥ê¥ê¡¼¥¹¤·¡¢¥¢¥ó¥À¡¼¥°¥é¥¦¥ó¥É¡¦¥ß¥å¡¼¥¸¥Ã¥¯¥·¡¼¥ó¤ÎÃíÌܤ¹¤Ù¤­¥¤¥ó¥¹¥Ô¥ì¡¼¥·¥ç¥ó¤Î¤¢¤ëÃϰ̤òÃÛ¤¯¡£

2009ǯ¤Ë¿·¤·¤¤¾Ï¡¢¡ÖAtjazz Record Company¡×¤òΩ¤Á¾å¤²¡¢Èà¤Î¥È¥ì¡¼¥É¥Þ¡¼¥¯Åª¤Ê¥µ¥¦¥ó¥É¤ò¥ê¥ê¡¼¥¹¤·³èÆ°¤·¤Æ¤¤¤¯¡£À¤³¦¤òÂåɽ¤¹¤ë²»³Ú¥×¥í¥Ç¥å¡¼¥µ¡¼¡¢¥ê¥ß¥Ã¥­¥µ¡¼¡¢£Ä£Ê¤È¤·¡¢¥Ò¥Ã¥È¶Ê¤òÎÌ»º¤·¤Æ¤­¤¿¥¢¥Ã¥È¥¸¥ã¥º¡¢º£¸å¤Ï¶ì¼ê¤ÊĹ»þ´Ö¥Õ¥é¥¤¥È¤È³ëÆ£¤·¡¢ÆüËܤΥե¡¥ó¤Ë¤â¥¢¥Ã¥È¥¸¥ã¥ºÅª¤Ê²»¤ò¥é¥¤¥Ö¤Ç´¶¤¸¤Æ¤â¤é¤¤¤¿¤¤¤È¸ì¤ë¡£


¡úALBUM
THAT SOMETHING (1999)
LAB FUNK (2001)
LAB RESULTS (2001)

¡úATJAZZ RECORD COMPANY
http://www.atjazz.co.uk/

¡úLISTENING
http://www.myspace.com/atjazz
feed://www.atjazz.co.uk/?feed=rss2 (PODCAST!!)
http://www.atjazz.co.uk/japanese
http://www.youtube.com/user/martinatjazz

¡úFacebook
http://www.facebook.com/group.php?v=photos&ref=ts&gid=180330847260#/group.php?v=info&gid=180330847260

¢£Wikipedia
¡Êhttp://en.wikipedia.org/wiki/Martin_Iveson¡Ë

<Atjazz Biography>
From his misspent youth boarding the frontier towns of North Eastern England, Martin Iveson arrived into the Midland scene in the early nineties, here he was offered a job at a new computer games development studio by the name of Core Design Ltd., this company is now synonymous with Lara Croft and the series of Tomb Raider games.

Not content with scoring this, one of the worlds most famous video games, Martin left the company 13 years later to concentrate more on his own studio environment in which to channel his musical aspirations further, and invite other musicians and producers to do the same.

The success of his early works including his first EP 'Story' led to the well received album ¡ÆThat Something¡Ç, which was later licensed in Japan by Sony/Kioon. This debut album also featured cover artwork by Fujio Akatsuka, very well known in Japan for his Illustrations and animated cartoons. With two further albums, ¡ÆLabfunk¡Ç & ¡ÆLabresults¡Ç following soon after, Atjazz had at this time established himself as a distinct and inspirational voice in the underground music scene.

2009 saw Martin close his label Mantis Recordings due to harsh industry changes and from these ashes came the Imprint appropriately named ¡ÆAtjazz Record Company¡Ç, which has flown to great heights within the digital realm and has seen many fantastic and sought after releases including his 3rd long player ¡ÆFull Circle¡Ç. This label concentrates heavily on Martin's productions and collaborations.

Atjazz Record Company is a new chapter for Atjazz but with a continuation of his trademark sound.

Atjazz is in demand across the world: Whether it be renowned producer, sought after remixer, or floor filling DJ, Martin gives his heart to hold the soul¡Ä

¥³¥ß¥å¥Ë¥Æ¥£¤Ë¤Ä¤Ö¤ä¤­¤òÅê¹Æ

ºÇ¶á¤ÎÅê¹Æ¤¬¤¢¤ê¤Þ¤»¤óµã¤­´é
¤Ä¤Ö¤ä¤­¡¦¥È¥Ô¥Ã¥¯¡¦¥¤¥Ù¥ó¥È¡¦¥¢¥ó¥±¡¼¥È¤òºîÀ®¤·¤Æ»²²Ã¼Ô¤È¸òή¤·¤è¤¦¤ï¡¼¤¤¡Ê´ò¤·¤¤´é¡Ë
»²²Ã¥á¥ó¥Ð¡¼ 16¿Í

¤â¤Ã¤È¸«¤ë

³«ÀßÆü
2009ǯ11·î30Æü

5319Æü´Ö±¿±Ä

¥«¥Æ¥´¥ê
²»³Ú
´ØÏ¢¥ï¡¼¥É
´ØÏ¢¥ï¡¼¥É¤òÅÐÏ¿¤·¤è¤¦

ÊÔ½¸¤«¤é´ØÏ¢¥ï¡¼¥É¤òÅÐÏ¿¤¹¤ë¤È¡¢¥³¥ß¥å¥Ë¥Æ¥£¤¬mixi¥ï¡¼¥É¤Ëɽ¼¨¤µ¤ì¤ë¤è¤¦¤Ë¤Ê¤ê¤Þ¤¹¡ª