)アナログ・シングル2枚組"Good Vibrations／Heroes And Villains"がアメリカのレコード店店頭のみにてリリースされます。 
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コメント(18)
CAPITOLの公式サイト http://thebeachboys.com/ に情報が載ってますね。
ただスクロールが読みにくいので、ここにコピペ
させていただきます。
＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊
THE BEACH BOYS’ LEGENDARY ‘SMiLE’ ALBUM SESSIONS
TO BE RELEASED THIS YEAR BY CAPITOL/EMI
Never-Before-Released Original 1966-’67 Album Sessions Compiled for 2CD and Digital Packages and Deluxe, Limited Edition Box Set
Hollywood, California - March 14, 2011 – Between the summer of 1966 and early 1967, The Beach Boys recorded, in several sessions, a bounty of songs and drafts for an album, SMiLE, that was intended to follow the band’s 1966 masterpiece, Pet Sounds. The sessions were ultimately shelved, and The Beach Boys’ SMiLE has never been released. With the full participation of original Beach Boys Al Jardine, Mike Love, and Brian Wilson, Capitol/EMI has collected and compiled the definitive collection, ‘The SMiLE Sessions,’ for worldwide release this year in multiple physical and digital configurations.
The SMiLE Sessions presents an in-depth overview of The Beach Boys' recording sessions for the enigmatic album, which has achieved legendary, mythical status for music fans around the world. The SMiLE Sessions will be released in 2CD and digital album packages and a deluxe, limited edition box set.
ただスクロールが読みにくいので、ここにコピペ
させていただきます。
＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊
THE BEACH BOYS’ LEGENDARY ‘SMiLE’ ALBUM SESSIONS
TO BE RELEASED THIS YEAR BY CAPITOL/EMI
Never-Before-Released Original 1966-’67 Album Sessions Compiled for 2CD and Digital Packages and Deluxe, Limited Edition Box Set
Hollywood, California - March 14, 2011 – Between the summer of 1966 and early 1967, The Beach Boys recorded, in several sessions, a bounty of songs and drafts for an album, SMiLE, that was intended to follow the band’s 1966 masterpiece, Pet Sounds. The sessions were ultimately shelved, and The Beach Boys’ SMiLE has never been released. With the full participation of original Beach Boys Al Jardine, Mike Love, and Brian Wilson, Capitol/EMI has collected and compiled the definitive collection, ‘The SMiLE Sessions,’ for worldwide release this year in multiple physical and digital configurations.
The SMiLE Sessions presents an in-depth overview of The Beach Boys' recording sessions for the enigmatic album, which has achieved legendary, mythical status for music fans around the world. The SMiLE Sessions will be released in 2CD and digital album packages and a deluxe, limited edition box set.
Co-produced by Mark Linett and Alan Boyd, all of The SMiLE Sessions’ physical and digital configurations will include an assembled album of core tracks, while the box set delves much deeper into the sessions, adding early song drafts, alternate takes, instrumental and vocals-only mixes, and studio chatter. The SMiLE Sessions invites the listener into the studio to experience the album's creation, with producer, singer and bassist Brian Wilson's vision leading the way as he guides his fellow Beach Boys, singer Mike Love, drummer Dennis Wilson, lead guitarist Carl Wilson, rhythm guitarist Al Jardine, and newest member Bruce Johnston (who'd replaced Brian Wilson in the touring group during 1965), through the legendary sessions.
"I'm thrilled that The Beach Boys' original studio sessions for SMiLE will be released for the first time, after all these years,” says Brian Wilson. “I'm looking forward to this collection of the original recordings and having fans hear the beautiful angelic voices of the boys in a proper studio release.”
“One of my favorite songs from the SMiLE sessions is ‘Wonderful’,” says Mike Love. “The song truly lives up to its title, as do many of the tracks on SMiLE. Cousin Brian was at his creative peak during those sessions. I’m unaware of anything that comes close in pop music.”
“I recently played some of my personal acetates from the SMiLE sessions and they held up really well,” says Al Jardine. “We would come home from touring and go straight into the studio to record. Brian couldn't wait to show us his latest ideas. We were recording SMiLE and Pet Sounds material simultaneously, so the tracks and vocals all have the same great quality. Most of the vocals were done at Columbia Studios in Hollywood, across the street from Western Studios, where most of the tracking was done.”
"I'm thrilled that The Beach Boys' original studio sessions for SMiLE will be released for the first time, after all these years,” says Brian Wilson. “I'm looking forward to this collection of the original recordings and having fans hear the beautiful angelic voices of the boys in a proper studio release.”
“One of my favorite songs from the SMiLE sessions is ‘Wonderful’,” says Mike Love. “The song truly lives up to its title, as do many of the tracks on SMiLE. Cousin Brian was at his creative peak during those sessions. I’m unaware of anything that comes close in pop music.”
“I recently played some of my personal acetates from the SMiLE sessions and they held up really well,” says Al Jardine. “We would come home from touring and go straight into the studio to record. Brian couldn't wait to show us his latest ideas. We were recording SMiLE and Pet Sounds material simultaneously, so the tracks and vocals all have the same great quality. Most of the vocals were done at Columbia Studios in Hollywood, across the street from Western Studios, where most of the tracking was done.”
“For me, it's always been about the way Brian Wilson brilliantly composed and 'voiced' his amazing chord progressions and melodies,” says Bruce Johnston. “SMiLE really made me smile!”
“Personally, I loved it,” the late Carl Wilson said in 1994 of the SMiLE sessions (from the Don Was-directed documentary, Brian Wilson: I Just Wasn’t Made For These Times).
“In my opinion it makes Pet Sounds stink - that's how good it is,” the late Dennis Wilson told a journalist in 1966 of the planned SMiLE album.
What Brian Wilson brought to the table, in his effort to maintain The Beach Boys' position among the top rock 'n' roll bands of the day, was beyond what anyone could have expected. Beginning with “Good Vibrations,” then into SMiLE, Wilson had begun to construct songs in a modular form, crafting individual sections that would later be edited together to form a coherent whole. In several intense bursts of creative energy, Wilson, drawing on the talents of the finest studio musicians in Los Angeles and utilizing the best studio facilities available on any given day, laid down dozens and dozens of musical fragments, all designed to fit together in any number of possible combinations. No one had done this in pop music, and Wilson had just created “Good Vibrations,” The Beach Boys’ best-selling record in a long string of hits, by using this method. His next endeavor would be an album-length version of this unique and luxurious songwriting parlance: SMiLE.
“Personally, I loved it,” the late Carl Wilson said in 1994 of the SMiLE sessions (from the Don Was-directed documentary, Brian Wilson: I Just Wasn’t Made For These Times).
“In my opinion it makes Pet Sounds stink - that's how good it is,” the late Dennis Wilson told a journalist in 1966 of the planned SMiLE album.
What Brian Wilson brought to the table, in his effort to maintain The Beach Boys' position among the top rock 'n' roll bands of the day, was beyond what anyone could have expected. Beginning with “Good Vibrations,” then into SMiLE, Wilson had begun to construct songs in a modular form, crafting individual sections that would later be edited together to form a coherent whole. In several intense bursts of creative energy, Wilson, drawing on the talents of the finest studio musicians in Los Angeles and utilizing the best studio facilities available on any given day, laid down dozens and dozens of musical fragments, all designed to fit together in any number of possible combinations. No one had done this in pop music, and Wilson had just created “Good Vibrations,” The Beach Boys’ best-selling record in a long string of hits, by using this method. His next endeavor would be an album-length version of this unique and luxurious songwriting parlance: SMiLE.
In 1965, Brian Wilson had met an up-and-coming session keyboard player and songwriter, Van Dyke Parks. Noticing Parks' conversational eloquence, Wilson felt that he could help to volley The Beach Boys’ songwriting into the wave of broader-messaged and socially-conscious rock 'n' roll that would come to define the '60s. They were soon collaborating on keynote songs for SMiLE, including “Heroes and Villains,” the band’s follow-up single to “Good Vibrations.” Wilson and Parks would also co-write “Surf's Up,” “Vegetables,” “Cabin Essence,” “Do You Like Worms,” “Wonderful,” “Wind Chimes,” and other bits and pieces of the SMiLE tapestry. Parks also introduced Beat-Pop artist Frank Holmes to create album sleeve art and a booklet interpreting the album’s James Joyce-mode lyrics.
The reason SMiLE did not see a release in early 1967 had more to do with back room business that obscured the creative side of the program than anything else. In late 1966, The Beach Boys formed Brother Records, initially to produce outside artists. Soon, however, The Beach Boys would become embroiled in a court action with Capitol Records with the goal to become the top-selling artists on their self-owned, independent label. The group withheld “Heroes and Villains” and announced they would instead release “Vegetables” – recorded with the band’s own money in April of '67 – on Brother Records. By July of 1967, Capitol Records and The Beach Boys had come to terms, with Capitol agreeing to distribute the band’s Brother Records, and it was agreed that SMiLE was no longer to be the band’s next album.
The SMiLE Sessions’ global release date, complete track lists, and artwork will be unveiled soon.
“Surf's up, aboard a tidal wave, come about hard and join the young and often spring you gave. I heard the word, wonderful thing... a children's song... ”
- from “Surf's Up” (Brian Wilson/Van Dyke Parks)
The reason SMiLE did not see a release in early 1967 had more to do with back room business that obscured the creative side of the program than anything else. In late 1966, The Beach Boys formed Brother Records, initially to produce outside artists. Soon, however, The Beach Boys would become embroiled in a court action with Capitol Records with the goal to become the top-selling artists on their self-owned, independent label. The group withheld “Heroes and Villains” and announced they would instead release “Vegetables” – recorded with the band’s own money in April of '67 – on Brother Records. By July of 1967, Capitol Records and The Beach Boys had come to terms, with Capitol agreeing to distribute the band’s Brother Records, and it was agreed that SMiLE was no longer to be the band’s next album.
The SMiLE Sessions’ global release date, complete track lists, and artwork will be unveiled soon.
“Surf's up, aboard a tidal wave, come about hard and join the young and often spring you gave. I heard the word, wonderful thing... a children's song... ”
- from “Surf's Up” (Brian Wilson/Van Dyke Parks)
ブルースはBBBritain上にて、以下の通り語っています。
I'm looking forward to having SMiLE recordings that are of the original high musical and sonic standard that they were recorded in instead of scratchy acetates from too many years ago that 'live' in my collection. The compilation producers are Mark Linett and Alan Boyd who both have a deep loyalty to the musical and historical value of 'everything Beach Boys.'
As the original creator and producer of this amazing recorded music is Brian Wilson, it gives Mark and Alan a wonderful opportunity to be involved in the restoration and packaging of a most important American pop music treasure.
Bruce Johnston
London
March 14, 2011
＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊
I am only an applauding bystander at this point.
Bruce Johnston
London
March 15, 2011
I'm looking forward to having SMiLE recordings that are of the original high musical and sonic standard that they were recorded in instead of scratchy acetates from too many years ago that 'live' in my collection. The compilation producers are Mark Linett and Alan Boyd who both have a deep loyalty to the musical and historical value of 'everything Beach Boys.'
As the original creator and producer of this amazing recorded music is Brian Wilson, it gives Mark and Alan a wonderful opportunity to be involved in the restoration and packaging of a most important American pop music treasure.
Bruce Johnston
London
March 14, 2011
＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊
I am only an applauding bystander at this point.
Bruce Johnston
London
March 15, 2011
結局、私はmerchdirectのサイト
http://www.merchdirect.com/TheBeachBoys
より、
1. SMiLE 2CD Set + SMiLE T-Shirt $39.99 (\4,220)
2. Limited SMiLE LIGHT UP Box Set $699.99 (\59,123)
※円相場は予約購入日当時の為替レートに従った送料込みの額です。
を、直輸入で購入することにしました。
なので、国内盤の購入は見送ります。
どなたか国内盤のライナーを読ませてくださいね!!
レヴューはモノをきちんと聴いてから書こうと思います。
タワーレコードで予約受付終了した2.の販売価格は87,000円でした。
従業員の給料を払ったりせんといかんとはいえ、27,000円もぼるつもりだったんだ
LIGHT UP BOXを中心としたイベントの開催を考えています。
イベントを開催できなくても、動画で紹介しましょうかね
http://www.merchdirect.com/TheBeachBoys
より、
1. SMiLE 2CD Set + SMiLE T-Shirt $39.99 (\4,220)
2. Limited SMiLE LIGHT UP Box Set $699.99 (\59,123)
※円相場は予約購入日当時の為替レートに従った送料込みの額です。
を、直輸入で購入することにしました。
なので、国内盤の購入は見送ります。
どなたか国内盤のライナーを読ませてくださいね!!
レヴューはモノをきちんと聴いてから書こうと思います。
タワーレコードで予約受付終了した2.の販売価格は87,000円でした。
従業員の給料を払ったりせんといかんとはいえ、27,000円もぼるつもりだったんだ
LIGHT UP BOXを中心としたイベントの開催を考えています。
イベントを開催できなくても、動画で紹介しましょうかね
"Smile Sessions (Collector's Box)"がグラミー賞を受賞できたのは、アルバムとしての内容以上に、40年以上もの間伝説となってきたそのセッションの概要を可能な限り収録した、歴史的・資料的価値が評価された、という側面の方が大きいと思います。
BEACH BOYSの作品としては結局未完成で、今回もオリジナル・アルバム部分で70年までに存在しなかったパートはあえて追加せず未完成のまま発表されましたし、オリジナル・アルバムとしての内容が評価されているなら、ブライアン版の時点で受賞していたでしょう。
"Smile Sessions (Collector's Box)"はマニアは絶対に押さえておかなければいけないですね。中古品は値崩れして1万円以下で売られていますので、まだ未入手の方は是非入手しましょう。
2枚組デラックス・エディションも生産が終了し、問屋の在庫のみになります。こちらはまだ数に余裕があるようですが、コレクターズ・ボックスではアナログでしか聴けなかった音源が収録されていたりするので、見逃せません。"Ｇｏｏｄ Ｖｉｂｒａｔｉｏｎｓ (Ｓｅｓｓｉｏｎ Ｈｉｇｈｌｉｇｈｔｓ)"はこちらだけの編集音源です。
BEACH BOYSの作品としては結局未完成で、今回もオリジナル・アルバム部分で70年までに存在しなかったパートはあえて追加せず未完成のまま発表されましたし、オリジナル・アルバムとしての内容が評価されているなら、ブライアン版の時点で受賞していたでしょう。
"Smile Sessions (Collector's Box)"はマニアは絶対に押さえておかなければいけないですね。中古品は値崩れして1万円以下で売られていますので、まだ未入手の方は是非入手しましょう。
2枚組デラックス・エディションも生産が終了し、問屋の在庫のみになります。こちらはまだ数に余裕があるようですが、コレクターズ・ボックスではアナログでしか聴けなかった音源が収録されていたりするので、見逃せません。"Ｇｏｏｄ Ｖｉｂｒａｔｉｏｎｓ (Ｓｅｓｓｉｏｎ Ｈｉｇｈｌｉｇｈｔｓ)"はこちらだけの編集音源です。
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