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ばななのむれ吉ロック喫茶コミュのTIME CAPSULE【1967年(昭和42年)】最終更新2006.1.2

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昭和42年 丁未(ひつじ)
美濃部革新都政
______________________________________________________________________________________________________________________
【世相】昭和元禄
【流行・話題】ボーリング・ブーム(中山律子)、ツイギー、ヒッピー、アングラ、フーテン族 、シンナー遊び
ミニスカート
_________________________________________________________________________________________________________________________
■来日アーティスト

1月
PP&M(2度目)
ジョーン・バエズ

2月
ウォーカー・ブラザース
バック・オウエンズとバッカルーズ
サム・ザ・シャム&ザ・フェラオスのドミンゴ・サムディオ
ニニ・ロッソ

3月
エラ・フィッツジェラルド、オスカー・ピーターソン
T・ボーンズ

4月
ハーブ・アルバート&ティファナ・ブラス
クロード・チアリ
アンディ;ウイリアムス

5月

ジュディ・コリンズ、ミミ・バエズ、アーロ・ガスリー
オデッタ(2度目)
ビリー・ボーン

6月
アダモ
シャドウズ
PP&M(3度目)

7月
ロジャー・ミラー

8月
ブラザース・フォー(4度目)

9月
ダスティ・スプリングフィールド
デル・シャノン
ブレンダ・リー
ピート・シーガー
クリフ・リチャード
ツィギー
ヴィッキー

11月
トリニ・ロペス

12月
マール・ハガード、シェブ・ウーリー、ボニー・オウエンズ


__________________________________________________________________________________________________________________________
■出来事と社会情勢

【国内】
美濃部東京都知事当選
羽田学生デモ
小笠原諸島返還決まる
返還(1968年)
西日本に集中豪雨
米軍タンク車衝突炎上事故
南海電車衝突・転落
新潟・山形に集中豪雨

【国際】
2月6日:米軍、ベトナム戦争で「枯葉作戦」を開始。
6月5日:【第3次中東戦争(六日戦争)】 イスラエルがエジプト、シリア、ヨルダンに対して奇襲攻撃を展開し、広大な占領地を獲得した。
6月17日:中国、初の水爆実験に成功、4番目の保有国に。
7月23日:[米]デトロイトで大規模黒人暴動、38人死亡。
7月:欧州共同体(EC)成立。
8月:【ASEAN結成】タイのバンコクで「東南アジア諸国連合(ASEAN)」設置の共同宣言が署名された。参加国はタイ、マレーシア、シンガポール、フィリピン、インドネシアだった。
11月26日:[ポルトガル]リスボンとその周辺地域を暴風雨が襲い、450人以上が死亡し数千人が住むところを失った。

【他】

大阪・阪急千里駅に自動改札機の第1号が設置され、駅員がいない駅として話題を呼んだ。
4月28日:東京急行こどもの国線、長津田−こどもの国間が開通。
7月4日:首都高速道路都心環状線、全線開通。
10月31日:【吉田茂の国葬】 東京・日本武道館で吉田茂の国葬。戦後で初めて。 __________________________________________________________________________________________________________________________
■ヒット曲
銀色の道(ザ・ピーナッツ)[作詞:塚田茂](2月発売)
君こそわが命(水原弘)[作詞:川内康範](2月発売)
ブルー・シャトー(ジャッキー吉川とブルー・コメッツ)[作詞:橋本淳、作曲:井上忠夫](3月発売) 第9回(1967年度)レコード大賞
<小学生たちの間で「森トンカツ、泉ニンニク、かコンニャク、まれテンプラ(テンンドン)」という替え歌もはやった>
夜霧よ今夜もありがとう(石原裕次郎)[作詞・作曲:浜口庫之助](3月発売)
恋のハレルヤ(黛ジュン)[作詞:なかにし礼](3月発売)
小指の思い出(伊東ゆかり)(3月発売)
一年生になったら [作詞:まど・みちお](3月発売)
花はおそかった(美樹克彦)[作詞:星野哲朗](4月発売)
世界の国からこんにちは(三波春夫)(4月発売)
真赤な太陽(美空ひばり・ブルー・コメッツ)(6月発売)
世界は二人のために(佐良直美)[作詞:山上路夫](6月発売)
いとしのマックス(マックス・ア・ゴーゴー)(荒木一郎)[作詞・作曲:荒木一郎](6月発売)
好きさ好きさ好きさ(ザ・カーナビーツ)[訳詞:漣健児](7月発売)
願い星叶い星(西郷輝彦)[作詞・作曲:浜口庫之助](8月発売)
風が泣いている(スパイダーズ)[作詞・作曲:浜口庫之助](8月発売)
小樽のひとよ(鶴岡雅義と東京ロマンチカ)(10月発売)
新宿そだち(津山洋子・大木英夫)(10月発売)
どうどうどっこの唄(水前寺清子)[作詞:星野哲朗](10月発売)
モナリザの微笑(ザ・タイガース)(10月発売)
雨の銀座(黒沢明とロス・プリモス)(12月発売)
帰ってきたヨッパライ(ザ・フォーク・クルセーダーズ)(12月発売)
君だけに愛を(ザ・タイガース)(12月発売)
この広い野原いっぱい(森山良子)[作詞:小薗江圭子、作曲:森山良子](12月発売)
朝まで待てない(ザ・モップス)
僕のマリー(タイガース)


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■アメリカ・トップ10

To Sir With Love (Lulu)
Daydrewam Believer (The Monkees)
Windy (The Association)
Ode To Billie Joe「ビリー・ジョーの歌」(Bobby Gentry)
Somethin' Stupid「恋のひとこと」(Nancy Sinatra & Frank Sinatra)
Groovin' (The Young Rascals)
The Letter「あの娘のレター」(The Box Tops)
Light My Fire「ハートに火をつけて(ハートに灯をつけて)」(The Doors)
Happy Together (The Turtles)
Hello Goodbye (The Beatles)


アルバム
"Are You Experienced" Jimi Hendrix
「青い影」 Procol Harum
"The Basement Tapes 地下室" Bob Dylan(& The Band)
"Buffalo Springfield Again" Buffalo Springfield
"Days Of Future Past" The Moody Blues (オーケストラとロックの初共演)
"I Feel Free"「カラフル・クリーム」Cream




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■その他の海外ヒット曲
Up, Up And Away「ビートでジャンプ」(The Fifth Dimension)
There's A Kind Of Hush「見つめあう恋」(Harman's Hermits)
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■デビュー

ロック系
The Bee Gees "The Bee Gees "
Buffalo Springfield "Buffalo Springfield"
Captain Beefheart & His Magic Band "Safe As Milk"
Country Joe & The Fish "Electric Music"
David Bowie"David Bowie" , The Doors "The Doors"
Grateful Dead "Grateful Dead"
Harpers Bizarre "Feelin' Groovy" (ソフト・ロックの伝説的バンド) 
Janis Joplin"Big Brother & The Holding Company"
Joni Mitchel "Joni Mitchel"
Linda Rondstodt "Stone Pony"
Leonard Cohen "The Songs Of Leonard Cohen"
Mama's & Papa's 「夢のカリフォルニア」(デビュー作にして時代の代表作)
Mason Williams "Phonograph Record"
(TVの脚本家でもある才人、バーバンク系)
Mobby Grape "Mobby Grape"
(サンフランシスコ・サイケの代表的バンド、解散後評価が高まった)
Nice"The Thoughts Of Emerlist Davjack"
(キース・エマーソン在籍のクラシック・ロック系バンド)
Nilson "Pandemonium Shadow Show"
The Nitty Gritty Dirt Band "The Nitty Gritty Dirt Band
Pink Floyd "The Piper At The Gates Of Dawn" ,
Red Crayola "Parable Of Arable Land"
(メイヨ・トンプソンを中心にテキサスで結成、21世紀に入っても活躍)
The Soul Survivors "Expressway To Your Heart"
(ホワイト・ソウル・グループ、ギャンブル&ハフ初期のプロデュース作)
Status Quo "Picture Of Matchstick Men"
Strawberry Alarm Clock "Incense And Peppermints"
Traffic "Mr. Fantasy"
Ten Years After "Ten Years After"
T Rex "My People Were Fair And Sky In Their …" ,
Vanilla Fudge "Vanilla Fudge" (大ヒット「キープ・ミー・ハンギング・オン」)
The Velvet Underground & Nico "The Velvet Underground"
(ウォーホルとこのバンドこそ、ポップ・アートの原点)
The Youngbloods "The Youngbloods"
(ジェシ・コリン・ヤング在籍のフォークロック・バンド)
ドアーズ
ブラッド・スウェット&ティアーズ、
フリー、
グレイトフル・デッド、ヴァン・ダイク・パークス、ジェイムス・テーラー、クリーデンス・クリアウォーター・リバイバル、バッファロー・スプリングフィールド、ジミ・ヘンドリックス、ジャニス・ジョップリン、ジェファーソン・エアプレイン、ジェネシス、シカゴ、イエス、ジョニ・ミッチェル、クリーム、マザーズ・オブ・インベンション、サンタナ、レッド・ツェッペリン、スティーブ・ミラー・バンド、トラフィック、スリー・ドッグ・ナイト、フェイセス、スライ&ザ・ファミリーストーン、ディープ・パープル、ドクター・ジョン、ニッティー・グリティー・ダート・バンド、フェアポート・コンベンション、ニルソン、フリートウッド・マック、プロコル・ハルム、マリアンヌ・フェイスフル…etc

ソウル系
Al Green "Back Up Train"
Eddie Floyd "Knock On Wood"

レゲエ系 (ビートルズ・マネージャー)
Jimmy Cliff "Hard Travel"

歌謡曲・グループ・サウンズなど
ザ・タイガース 「ザ・タイガース・オン・ステージ」 、「僕のマリー」
高石友也 「思い出の赤いヤッケ」
テンプターズ 「忘れ得ぬ君」
カーナビーツ 「好きさ好きさ好きさ」
ゴールデン・カップス 「いとしのジザベル」
モップス 「朝まで待てない」
森山良子「この広い野原いっぱい」
ワイルド・ワンズ 「ザ・ワイルド・ワンズ・アルバム」
テレサ・テン 
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■映画

【邦画】
上意討ち
日本のいちばん長い日
大奥マル秘物語(東映)



【洋画】
夜の大捜査戦[米] アカデミー賞
俺たちに明日はない Bonnie and Clyde[米]
[出演]フェイ・ダナウェイ
卒業 The Graduate[米]Yahoo
[出演]ダスティン・ホフマン、キャサリン・ロス
007は二度死ぬ YOU ONLY LIVE TWICE[英] 詳細
冷血 In Cold Blood (米)[米]
冒険者たち[仏+伊]
[出演]アラン・ドロン
ドリトル先生の不思議な旅
招かれざる客
夕陽のガンマン

__________________________________________________________________________________________________________________________

■TV
大河ドラマ 三姉妹 (NHK、1月1日〜12月24日)
時代劇 徳川の夫人たち (NET=現テレビ朝日、1月8日〜4月2日)
トッポ・ジージョ (TBS、3月7日〜9月26日)
ドラマ チャコねえちゃん (TBS、3月〜1968年4月)
アニメ パーマン (TBS、4月2日〜1968年4月14日)
アニメ リボンの騎士 (フジテレビ、4月2日〜1968年4月7日)
ドラマ 逃げろや! 逃げろ Run, Buddy, Run (1月〜)
連続テレビ小説 旅路 (NHK、4月3日〜1968年3月30日)
ドラマ スパイ大作戦 Mission: Impossible (フジテレビ、4月8日〜1973年9月27日)
ドラマ 白い巨塔 (NET=現テレビ朝日、4月8日〜1967年9月29日)
時代劇 仮面の忍者赤影 (フジテレビ、4月5日〜1968年3月27日)
黄金バット (日本テレビ、4月〜68年3月)
ドラマ タイム・トンネル The Time Tunnel (NHK、4月〜)
月〜1968年10月)
ドラマ 森林警備隊 The Forest Ranger (NHK、4月〜)
ドラマ 0022・アンクルの女 The Girl from U.N.C.L.E. (5月7日〜11月5日)
ドラマ 逃亡者The Fugitive (TBS、1964年〜6月17日) Yahoo
ドラマ コメットさん (TBS、7月3日〜1968年12月30日)
ドラマ インベーダー The Invaders (NET=現テレビ朝日、10月4日〜1968年3月27日) バラエティ 植木等ショー(TBS、7月30日〜)
ドラマ 光速エスパー (日本テレビ、8月1日〜1968年1月23日)
意地悪ばあさん (日本テレビ、9月26日〜1969年9月25日)
ドラマ ウルトラセブン (TBS、10月1日〜1968年9月8日)
ザ・モンキーズ The Monkees (TBS、10月6日〜1969年1月31日)
ドラマ でっかい青春 (日本テレビ、10月29日〜1968年10月13日)
ハノイ・田英夫の証言 (TBS、10月30日)
ドラマ ジャイアント・ロボ (NET=現テレビ朝日、10月〜1968年4月1日)
万国びっくりショー (フジテレビ、11月2日〜1971年9月27日)
ドラマ ワイオミングの兄弟 (11月〜)
夜のヒットスタジオ
[司会]吉村真理


__________________________________________________________________________________________________________________________
■CM
「大きいことはいいことだ、おいしいことはいいことだ、50円とはいいことだ」(森永製菓、エールチョコレート)[出演]山本直純
「イエイエ レナウン組合せユニット・イエイエ」(レナウン)
「どこまでも行こう」(ブリヂストンタイヤ)
「おかあさーん」(ハナマルキ味噌)
<夕焼けを背に少女が一声叫ぶ>
「自由が丘亀屋万年堂のナボナはお菓子のホームラン王です」[出演]王貞治
「今夜はあったかいシチューです」(ハウス食品、ハウスシチュー)[出演]大空真弓

__________________________________________________________________________________________________________________________
■流行語
「アングラ」
Undergroundnの略でそもそは地下活動をする反体制的な集団のこと。陽の届かないところでつくられる前衛的、実験的な芸術活動を指すようになった。唐十郎の状況劇場、鈴木忠志の早稲田小劇場、寺山修司の天井桟敷など。
「核家族」
夫婦だけ、または夫婦と子どもだけの小家族のことで、このころから言われるようになった。
「かっこいい」(クレイジーキャッツ)
「ハイミス」
20代の後半から30代の独身女性をさす。
「ハプニング」
偶然の出来事。TBSが生中継で通行人にマイクを向けるという「マスコミQ」を放送。ハプニング番組と評判を呼んだ。
「フーテン族」
東京・新宿にたむろする若者たちをいう。長髪にジーパン、ゴム草履のスタイルから「新宿こじき」ともいわれた。
「ボイン」(大橋巨泉)
大きなバストのこと。テレビ番組「11PM」で、相手役の朝丘雪路に向かって、冷やかし気味に連発し、流行語になった。


__________________________________________________________________________________________________________________________
■誕生

01月14日-ザック・ワイルド、オジー・オズボーン・バンド5代目ギターギタリスト
01月29日-小野正利、ミュージシャン
02月06日-坂井泉水、歌手(ZARD)
02月20日-カート・コバーン(ニルヴァーナ (Nirvana) でボーカルとギターを担当)ロック・ミュージシャン(+ 1994年)
03月10日-鈴木大地、水泳選手
03月16日-小比類巻かほる、ミュージシャン
03月23日-七瀬なつみ、女優
03月30日-坂本冬美、演歌歌手 
04月07日-宇徳敬子、歌手
05月08日-西村由紀江、ピアニスト
06月20日-ニコール・キッドマン、女優
06月23日-永田ルリ子、タレント(元おニャン子クラブ) 南野陽子
07月31日-本田美奈子.、歌手(+ 2005年)
08月08日-天海祐希、女優
08月18日-清原和博、プロ野球選手
08月22日-岡田有希子、女性アイドル(+ 1986年)
09月12日-田中美奈子、女優
09月23日 -叶美香、タレント
10月28日- ジュリア・ロバーツ、女優
11月28日-原田知世、女優・歌手
12月26日-石野卓球、ミュージシャン・DJ(電気グルーヴ)
__________________________________________________________________________________________________________________________
■物故

02月03日-Joe Meek(R.ドネガン、ハニーカムズ トルネイドーズらのプロデューサー)自殺 37歳
07月07日-ヴィヴィアン・リー、女優(* 1913年)
07月17日-John Coltrane 、ジャズサックス奏者 肝炎  40歳 (* 1926年)
08月27日-Brian Epatain (ビートルズ・マネージャー)  薬物中毒 31歳
09月03日-Woody Guthrie    ハンチントン舞踏病 55歳
10月09日-チェ・ゲバラ 革命家、ゲリラの指導者、医師(* 1928年)
12月10日- Otis Redding 飛行機事故 26歳
12月31日-Bert Bernes(ドリフターズ、S.バーク ヴァン・モリソンらのプロデューサー) 心不全 38歳


_________________________________________________________________________________________________________________________
■物価
12月18日: 公衆浴場料 32円を都が認可。
【交通】都バス30円(10月)。地下鉄最低料金 30円
【飲食】ビール 120円、牛乳 21円、かけそば 60円
__________________________________________________________________________________________________________________________

■新商品
人形 リカちゃん[タカラ、750円](7月14日発売)
<名前は「香山リカ」で名字は女優の香山美子にちなんだ。フランス人のパパと日本人のママの間に生まれたハーフの女の子という設定>
電気製品
IC電卓[早川電機(現=シャープ)](12月16日発売)
男性用化粧品 MG5[資生堂](8月1日発売)
__________________________________________________________________________________________________________________________
■食品
菓子 チョコフレーク[森永製菓、50円]
菓子 エールチョコレート[森永製菓]
菓子 サラダうす焼き[亀田製菓](8月発売)
ビール 純生[サントリー](4月20日発売)
たばこ 泉(5月15日発売)[日本専売公社(現=日本たばこ産業)]
たばこ ハイライト・デラックス(7月20日発売)[日本専売公社(現=日本たばこ産業)]
たばこ ルナ(11月20日発売)[日本専売公社(現=日本たばこ産業)]
たばこ 太陽(12月1日発売)[日本専売公社(現=日本たばこ産業)]
__________________________________________________________________________________________________________________________
■本
【話題の本】
頭の体操 1(多湖輝)[光文社カッパブックス]
<パズルで脳みそを鍛えるというのがうたい文句。タイトルは東京オリンピックを意識したもの。1人の著者が年間3点のベストセラーを出すというのは未曾有の記録>
華岡青洲の妻(有吉佐和子)[新潮社]
頭の体操 2(多湖輝)[光文社カッパブックス]
英単語記憶術(岩田一男)[光文社カッパブックス]
まぼろしの邪馬台国(宮崎康平)
捨てて勝つ
道をひらく(松下幸之助)
のらくろ漫画全集(田河水泡)[講談社]

【雑誌掲載】
火の鳥(手塚治虫)「COM」(1月〜)
パットマンX(ジョージ秋山)「週刊少年サンデー」(1月〜)
<第9回講談社児童漫画賞を受賞>
天才バカボン(赤塚不二夫)「週刊少年マガジン」(4月〜1972年)「週刊少年サンデー」(1969年〜1970年)
いなかっぺ大将(川崎のぼる)「小学五年生」(8月〜)
ショージ君(東海林さだお)「週刊漫画サンデー」(8月〜1971年)
ルパン3世(モンキーパンチ)「週刊漫画アクション」(8月〜)
無用之介(さいとう・たかお)「週刊少年マガジン」(9月〜)
もーれつア太郎(赤塚不二夫)「週刊少年サンデー」
<ココロのボス、ケムンパス、ベシ、ニャロメなどが登場>
パーマン(藤子不二雄)「週刊少年サンデー」
柔道一直線(永島慎二・梶原一騎)
夕焼け番長

【創刊】
COM[虫プロ商事](1月1日〜1971年12月、1973年8月に再刊したが1册で終わった)
<手塚治虫編集。マンガマニア向けの専門誌>
週刊漫画アクション[二葉社]
月刊ヤングコミック[少年画報社]
小説宝石[光文社]

日刊アルバイトニュース
__________________________________________________________________________________________________________________________

■その他
1月20日:直江津の長浜トンネルで落盤事故。
2月8日:共和製糖事件で前社長ら7人を逮捕。
2月11日:初の建国記念の日。総評などが全国で抗議集会を開催するなど、抗議行動が各地で広げられた。
4月5日:イタイイタイ病は三井金属神岡鉱業所の排水が原因と発表。
4月22日:東京造幣局の夜桜見物に20万人が詰めかけ将棋倒し事故。
8月21日:北富士演習上の返還を求める忍草母の会、着弾地付近で座り込み。
8月:【布川事件】 茨城県・利根町布川で独り暮らしの大工(62)が、自宅で殺害されているのを発見された。死亡推定時刻は28日の午後7時から11時頃で、絞殺による窒息死だった。
警察は、10月10日に容疑者(20)を、6日に別の容疑者(21)を別件逮捕した。2人は連日の長時間にわたる取調べで犯行を自供した。物的証拠はほとんどなかった。 裁判の経緯
10月27日:【日産サニー事件】 福島県いわき市の日産サニーいわき営業所で宿直員(29)が刃物で刺されて死亡し金庫にあった現金2100円が奪われた。宿直員は犯人と大格闘したとみられ全身に20ヵ所以上の刺し傷を負っていた。 裁判の経緯
10月:【北朝鮮へ第15次帰国船】 北朝鮮への第15次帰国最終船が出港。約8年間で8万8000人余が帰国。 第1次帰国船(1959年)
11月11日:【首相官邸前で焼身自殺】 エスペランティストの由比忠之進、首相の北爆支持などに抗議して首相官邸前で焼身自殺。
12月1日:【帝国ホテル解体】 老朽化が激しい帝国ホテル旧館の解体作業が始まった。
一部はその後、明治村に移築された。



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むれ吉6歳 小学1年生


最終更新2006.4.9



コメント(13)

Album: Sgt. Pepper's Lonely Hearts Club Band
Artist: The Beatles
Release Date: 6 1967


tracks
01 Sgt. Pepper's Lonely Hearts Club Band
02 With a Little Help from My Friends
03 Lucy in the Sky With Diamonds
04 Getting Better
05 Fixing a Hole
06 She's Leaving Home
07 Being for the Benefit of Mr. Kite!
08 Within You Without You
09 When I'm Sixty-Four
10 Lovely Rita
11 Good Morning Good Morning
12 Sgt. Pepper's Lonely Hearts Club Band (Reprise)
13 Day in the Life


With Revolver, the Beatles made the Great Leap Forward, reaching a previously unheard-of level of sophistication and fearless experimentation. Sgt. Pepper, in many ways, refines that breakthrough, as the Beatles consciously synthesized such disparate influences as psychedelia, art-song, classical music, rock & roll, and music hall, often in the course of one song. Not once does the diversity seem forced -- the genius of the record is how the vaudevillian "When I'm 64" seems like a logical extension of "Within You Without You" and how it provides a gateway to the chiming guitars of "Lovely Rita." There's no discounting the individual contributions of each member or their producer, George Martin, but the preponderance of whimsy and self-conscious art gives the impression that Paul McCartney is the leader of the Lonely Hearts Club Band. He dominates the album in terms of compositions, setting the tone for the album with his unabashed melodicism and deviously clever arrangements. In comparison, Lennon's contributions seem fewer, and a couple of them are a little slight but his major statements are stunning. "With a Little Help From My Friends" is the ideal Ringo tune, a rolling, friendly pop song that hides genuine Lennon anguish, à la "Help!"; "Lucy in the Sky With Diamonds" remains one of the touchstones of British psychedelia; and he's the mastermind behind the bulk of "A Day in the Life," a haunting number that skillfully blends Lennon's verse and chorus with McCartney's bridge. It's possible to argue that there are better Beatles albums, yet no album is as historically important as this. After Sgt. Pepper, there were no rules to follow -- rock and pop bands could try anything, for better or worse. Ironically, few tried to achieve the sweeping, all-encompassing embrace of music as the Beatles did here. ~ Stephen Thomas Erlewine, All Music Guide
Album: Magical Mystery Tour
Artist: The Beatles
Release Date: 11 1967

01 Magical Mystery Tour
02 Fool on the Hill
03 Flying
04 Blue Jay Way
05 Your Mother Should Know
06 I Am the Walrus
07 Hello Goodbye
08 Strawberry Fields Forever
09 Penny Lane
10 Baby You're a Rich Man
11 All You Need Is Love

The U.S. version of the soundtrack for the Beatles' ill-fated British television special embellished the six songs that were found on the British Magical Mystery Tour double EP with five other cuts from their 1967 singles. (The CD version of the record has now been standardized worldwide as the 11 tracks found on the American version.) The psychedelic sound is very much in the vein of Sgt. Pepper, and even spacier in parts (especially the sound collages of "I Am the Walrus"). Unlike Sgt. Pepper, there's no vague overall conceptual/thematic unity to the material, which has made Magical Mystery Tour suffer slightly in comparison. Still, the music is mostly great, and "Penny Lane," "Strawberry Fields Forever," "All You Need Is Love," and "Hello Goodbye" were all huge, glorious, and innovative singles. The ballad "The Fool on the Hill," though only a part of the Magical Mystery Tour soundtrack, is also one of the most popular Beatle tunes from the era. ~ Richie Unterberger, All Music Guide
Album: Days of Future Passed
Artist: The Moody Blues
Release Date: 0 1967


01 Day Begins
02 Dawn: Dawn Is a Feeling
03 Morning: Another Morning
04 Lunch Break: Peak Hour
05 Afternoon: Forever Afternoon (Tuesday?)/Time to Get Away
06 Evening: The Sun Set/Twilight Time
07 Night: Nights in White Satin

This album marked the formal debut of the psychedelic-era Moody Blues; though they'd made a pair of singles featuring new (as of 1966) members Justin Hayward and John Lodge, Days of Future Passed was a lot bolder and more ambitious. What surprises first-time listeners -- and delighted them at the time -- is the degree to which the group shares the spotlight with the London Festival Orchestra without compromising their sound or getting lost in the lush mix of sounds. That's mostly because they came to this album with the strongest, most cohesive body of songs in their history, having spent the previous year working up a new stage act and a new body of material (and working the bugs out of it on-stage), the best of which ended up here. Decca Records had wanted a rock version of Dvorak's "New World Symphony" to showcase its enhanced stereo-sound technology, but at the behest of the band, producer Tony Clarke (with engineer Derek Varnals aiding and abetting) hijacked the project and instead cut the group's new repertory, with conductor/arranger Peter Knight adding the orchestral accompaniment and devising the bridge sections between the songs and the album's grandiose opening and closing sections. The record company didn't know what to do with the resulting album, which was neither classical nor pop, but following its release in December of 1967, audiences found their way to it as one of the first pieces of heavily orchestrated, album-length psychedelic rock to come out of England in the wake of the Beatles' Sgt. Pepper and Magical Mystery Tour albums. What's more, it was refreshingly original, rather than an attempt to mimic the Beatles; sandwiched among the playful lyricism of "Another Morning" and the mysticism of "The Sunset," songs like "Tuesday Afternoon" and "Twilight Time" (which remained in their concert repertory for three years) were pounding rockers within the British psychedelic milieu, and the harmony singing (another new attribute for the group) made the band's sound unique. With "Tuesday Afternoon" and "Nights In White Satin" to drive sales, Days of Future Passed became one of the defining documents of the blossoming psychedelic era, and one of the most enduringly popular albums of its era. On CD, its history was fairly spotty until 1997, when it was remastered by Polygram; that edition blows every prior CD release (apart from Mobile Fidelity's limited-edition disc) out of contention, though this record is likely due for another upgrade -- and probably a format jump, perhaps to DVD-Audio -- on or before its 40th anniversary in 2007. ~ Bruce Eder, All Music Guide
Album: The Doors
Artist:The Doors
Release Date: 1967


01. Break on Through (To the Other Side)
02. Soul Kitchen
03. Crystal Ship
04. Twentieth Century Fox
05. Alabama Song (Whisky Bar)
06. Light My Fire
07. Back Door Man
08. I Looked at You
09. End of the Night
10. Take It as It Comes
11. End

A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knockout punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose. "Light My Fire" was the cut that topped the charts and established the group as stars, but most of the rest of the album is just as impressive, including some of their best songs: the propulsive "Break On Through" (their first single), the beguiling Oriental mystery of "The Crystal Ship," the mysterious "End of the Night," "Take It as It Comes" (one of several tunes besides "Light My Fire" that also had hit potential), and the stomping rock of "Soul Kitchen" and "Twentieth Century Fox." The 11-minute Oedipal drama "The End" was the group at its most daring and, some would contend, overambitious. It was nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered. ~ Richie Unterberger, All Music Guide [-] Hide
Album: Strange Days
Artist: The Doors
Release Date: 1967



01 Strange Days
02 You're Lost Little Girl
03 Love Me Two Times
04 Unhappy Girl
05 Horse Latitudes
06 Moonlight Drive
07 People Are Strange
08 My Eyes Have Seen You
09 I Can't See Your Face In My Mind
10 When The Music's Over


Many of the songs on Strange Days had been written around the same time as the ones that appeared on The Doors, and with hindsight one has the sense that the best of the batch had already been cherry picked for the debut album. For that reason, the band's second effort isn't as consistently stunning as their debut, though overall it's a very successful continuation of the themes of their classic album. Besides the hit "Strange Days," highlights included the funky "Moonlight Drive," the eerie "You're Lost Little Girl," and the jerkily rhythmic "Love Me Two Times," which gave the band a small chart single. "My Eyes Have Seen You" and "I Can't See Your Face in My Mind" are minor but pleasing entries in the group's repertoire that share a subdued Eastern psychedelic air. The 11-minute "When the Music's Over" would often be featured as a live showstopper, yet it also illustrated their tendency to occasionally slip into drawn-out bombast. ~ Richie Unterberger, All Music Guide
Album: The Piper at the Gates of Dawn
Artist: Pink Floyd
Release Date: 8 1967

tracks
01 Astronomy Domine
02 Lucifer Sam
03 Matilda Mother
04 Flaming
05 Pow R. Toc H.
06 Take Up Thy Stethoscope and Walk
07 Interstellar Overdrive
08 Gnome
09 Chapter 24
10 Scarecrow
11 Bike



The title of Pink Floyd's debut album is taken from a chapter in Syd Barrett's favorite children's book, The Wind in the Willows, and the lyrical imagery of The Piper at the Gates of Dawn is indeed full of colorful, childlike, distinctly British whimsy, albeit filtered through the perceptive lens of LSD. Barrett's catchy, melodic acid pop songs are balanced with longer, more experimental pieces showcasing the group's instrumental freak-outs, often using themes of space travel as metaphors for hallucinogenic experiences -- "Astronomy Domine" is a poppier number in this vein, but tracks like "Interstellar Overdrive" are some of the earliest forays into what has been tagged space rock. But even though Barrett's lyrics and melodies are mostly playful and humorous, the band's music doesn't always bear out those sentiments -- in addition to Rick Wright's eerie organ work, dissonance, chromaticism, weird noises, and vocal sound effects are all employed at various instances, giving the impression of chaos and confusion lurking beneath the bright surface. The Piper at the Gates of Dawn successfully captures both sides of psychedelic experimentation -- the pleasures of expanding one's mind and perception, and an underlying threat of mental disorder and even lunacy; this duality makes Piper all the more compelling in light of Barrett's subsequent breakdown, and ranks it as one of the best psychedelic albums of all time. ~ Steve Huey, All Music Guide
Album: Disraeli Gears
Artist:Cream
Release Date: 1967


tracks
01. Strange Brew
02. Sunshine of Your Love
03. World of Pain
04. Dance the Night Away
05. Blue Condition
06. Tales of Brave Ulysses
07. Swlabr
08. We're Going Wrong
09. Outside Woman Blues
10. Take It Back
11. Mother's Lament



The threesome of Jack Bruce, Ginger Baker, and legendary guitarist Eric Clapton forming the band Cream was a monumental effort of jazz, blues, and psychedelic rock during the British rock period of the late 1960s. Cream, with their raw fury of intense sound, was renowned for their rare talent of taking songs of complex arrangements and making them an act of spontaneous beauty during live shows. Disraeli Gears, their second release, was an essential landmark recording that brought listeners to the direction they were soon to take with Wheels of Fire. Taking on a circus-spinning arsenal of sounds and effects, Cream's fashionable art is a blend of highly sustained drenched distortion, rampant percussion, and a kaleidoscope of various musical textures and colors, both in melody and rhythm. Each of Disraeli Gears' list of 11 tunes is original in format, containing it own unique brands of dashing blues-laden guitar riffs by Clapton, as well as thick basslines and smashing drum leads. Highlights of the record feature Clapton's awe-inspiring and soul-gripping guitar leads, including hits such as "Sunshine of Your Love" and "Tales of Brave Ulysses." The latter is a magical poem laced into a line of mesmerizing chordal changes. Disraeli Gears is a definitive staple of early British rock and a sensational addition to the avid classic rock listener. ~ Shawn Haney, All Music Guide
Album: Big Brother & the Holding Company - 1967
Artist: Big Brother & the Holding Company
Release Date: 0 1967


track

01 Bye Bye Baby
02 Easy Rider
03 Intruder
04 Light Is Faster Than Sound
05 Call on Me
06 Women Is Losers
07 Blindman
08 Down on Me
09 Caterpillar
10 All Is Loneliness
11 Coo Coo [Single][#][*]
12 Last Time [Single][#][*]
13 Call on Me [Alternate Take][#][*]
14 Bye Bye Baby [Alternate Take][#][*]


Big Brother's debut album was not recorded under optimum circumstances. The sessions were too rushed, and the sound thinner than the band would have liked, especially given how much more powerful some of the material (such as "Down on Me") would sound in later concerts. Still, it's not the useless throwaway some critics have portrayed it as, and it decently conveys the band's loose, sometimes reckless blend of blues, folk-rock, and psychedelia. Janis Joplin sings with soulful intensity on "Down on Me" and "Call on Me"; Peter Albin's "Light Is Faster Than Sound" is good wacked-out early Haight-Ashbury psychedelic rock; and the rock cover of Moondog's "All Is Loneliness" is spookily imaginative. The 1999 CD reissue adds the worthy single "Coo Coo"/"The Last Time" (good Eastern-influenced guitar work on the former, a good hurt hard rock vocal from Joplin on the latter) and previously unreleased alternate takes of "Call on Me" and "Bye, Bye Baby." ~ Richie Unterberger, All Music Guide
Album: Procol Harum
Artist: Procol Harum
Release Date: 1967

track

01. Whiter Shade of Pale Purchase
02. She Wandered Through the Garden Fence Purchase
03. Something Following Me Purchase
04. Mabel Purchase
05. Cerdes (Outside the Gates Of) Purchase
06. Christmas Camel Purchase
07. Conquistador Purchase
08. Kaleidoscope Purchase
09. Salad Days (Are Here Again) Purchase
10. Repent Walpurgis

Procol Harum's self-titled, debut album bombed in England, appearing six months after "A Whiter Shade of Pale" and "Homburg" with neither hit song on it. The LP was successful in America, where albums sold more easily, but especially since it did include "A Whiter Shade of Pale" and was reissued with a sticker emphasizing the presence of the original "Conquistador," a re-recording which became a hit in 1972. The music is an engaging meld of psychedelic rock, blues, and classical influences, filled with phantasmagorical lyrics, bold (but not flashy) organ by Matthew Fisher, and Robin Trower's most tasteful and restrained guitar. "Conquistador," "Kaleidoscope," "A Christmas Camel," and the Bach-influenced "Repent Walpurgis" are superb tracks, and "Good Captain Clack" is great, almost Kinks-like fun. Not everything here works, but it holds up better than most psychedelic or progressive rock. ~ Bruce Eder, All Music Guide
Album: Are You Experienced
Artist: Jimi Hendrix
Release Date: 1967




01 Foxey Lady (0:03:19)
02 Manic Depression (0:03:42)
03 Red House (0:03:44)
04 Can You See Me (0:02:33)
05 Love or Confusion (0:03:12)
06 I Don't Live Today (0:03:55)
07 May This Be Love (0:03:11)
08 Fire (0:02:45)
09 Third Stone from the Sun (0:06:44)
10 Remember (0:02:48)
11 Are You Experienced? (0:04:14)
12 Hey Joe
13 Stone Free
14 Purple Haze
15 51st Anniversary
16 Wind Cries Mary
17 Highway Chile

In his brief four-year reign as a superstar, Jimi Hendrix expanded the vocabulary of the electric rock guitar more than anyone before or since. Hendrix was a master at coaxing all manner of unforeseen sonics from his instrument, often with innovative amplification experiments that produced astral-quality feedback and roaring distortion. His frequent hurricane blasts of noise and dazzling showmanship -- he could and would play behind his back and with his teeth and set his guitar on fire -- has sometimes obscured his considerable gifts as a songwriter, singer, and master of a gamut of blues, R&B, and rock styles.

When Hendrix became an international superstar in 1967, it seemed as if he'd dropped out of a Martian spaceship, but in fact he'd served his apprenticeship the long, mundane way in numerous R&B acts on the chitlin circuit. During the early and mid-'60s, he worked with such R&B/soul greats as Little Richard, the Isley Brothers, and King Curtis as a backup guitarist. Occasionally he recorded as a session man (the Isley Brothers' 1964 single "Testify" is the only one of these early tracks that offers even a glimpse of his future genius). But the stars didn't appreciate his show-stealing showmanship, and Hendrix was straight-jacketed by sideman roles that didn't allow him to develop as a soloist. The logical step was for Hendrix to go out on his own, which he did in New York in the mid-'60s, playing with various musicians in local clubs, and joining white blues-rock singer John Hammond, Jr.'s band for a while.

It was in a New York club that Hendrix was spotted by Animals bassist Chas Chandler. The first lineup of the Animals was about to split, and Chandler, looking to move into management, convinced Hendrix to move to London and record as a solo act in England. There a group was built around Jimi, also featuring Mitch Mitchell on drums and Noel Redding on bass, that was dubbed the Jimi Hendrix Experience. The trio became stars with astonishing speed in the U.K., where "Hey Joe," "Purple Haze," and "The Wind Cries Mary" all made the Top Ten in the first half of 1967. These tracks were also featured on their debut album, Are You Experienced?, a psychedelic meisterwerk that became a huge hit in the U.S. after Hendrix created a sensation at the Monterey Pop Festival in June of 1967.

Are You Experienced? was an astonishing debut, particularly from a young R&B veteran who had rarely sung, and apparently never written his own material, before the Experience formed. What caught most people's attention at first was his virtuosic guitar playing, which employed an arsenal of devices, including wah-wah pedals, buzzing feedback solos, crunching distorted riffs, and lightning, liquid runs up and down the scales. But Hendrix was also a first-rate songwriter, melding cosmic imagery with some surprisingly pop-savvy hooks and tender sentiments. He was also an excellent blues interpreter and passionate, engaging singer (although his gruff, throaty vocal pipes were not nearly as great assets as his instrumental skills). Are You Experienced? was psychedelia at its most eclectic, synthesizing mod pop, soul, R&B, Dylan, and the electric guitar innovations of British pioneers like Jeff Beck, Pete Townshend, and Eric Clapton.
Album: Vanilla Fudge - ATCO
Artist: Vanilla Fudge
Release Date: 1967

01. Ticket to Ride Preview Purchase
02. People Get Ready Preview Purchase
03. She's Not There Preview Purchase
04. Bang Bang Preview Purchase
05. Stra (Illusions of My Childhood, Pt. 1)/You Keep Me Hangin' On/Wber (Il Preview Purchase
06. Take Me for a Little While/Ryfi (Illusions of My Childhood, Pt. 3) Preview Purchase
07. Eleanor Rigby/Elds



In a debut consisting of covers, nobody could accuse Vanilla Fudge of bad taste in their repertoire; with stoned-out, slowed-down versions of such then-recent classics as "Ticket to Ride," "Eleanor Rigby," and "People Get Ready," they were setting the bar rather high for themselves. Even the one suspect choice -- Sonny Bono's "Bang Bang" --... [+] Continue

In a debut consisting of covers, nobody could accuse Vanilla Fudge of bad taste in their repertoire; with stoned-out, slowed-down versions of such then-recent classics as "Ticket to Ride," "Eleanor Rigby," and "People Get Ready," they were setting the bar rather high for themselves. Even the one suspect choice -- Sonny Bono's "Bang Bang" -- turns out to be rivaled only by Mott the Hoople's version of "Laugh at Me" in putting Bono's songwriting in the kindest possible light. Most of the tracks here share a common structure of a disjointed warm-up jam, a Hammond-heavy dirge of harmonized vocals at the center, and a final flat-out jam. Still, some succeed better than others: "You Keep Me Hanging On" has a wonderfully hammered-out drum part, and "She's Not There" boasts some truly groovy organ jams. While the pattern can sound repetitive today, each song still works as a time capsule of American psychedelia. ~ Paul Collins, All Music Guide
Album: The Velvet Underground & Nico
Artist: The Velvet Underground
Release Date: 1967

1. Sunday Morning
2. I'm Waiting for the Man
3. Femme Fatale
4. Venus in Furs
5. Run Run Run
6. All Tomorrow's Parties
7. Heroin
8. There She Goes Again
9. I'll Be Your Mirror
10. Black Angel's Death Song
11. European Son


One would be hard pressed to name a rock album whose influence has been as broad and pervasive as The Velvet Underground and Nico. While it reportedly took over a decade for the album's sales to crack six figures, glam, punk, new wave, goth, noise, and nearly every other left-of-center rock movement owes an audible debt to this set. While The Velvet Underground had as distinctive a sound as any band, what's most surprising about this album is its diversity. Here, the Velvets dipped their toes into dreamy pop ("Sunday Morning"), tough garage rock ("Waiting for the Man"), stripped-down R&B ("There She Goes Again"), and understated love songs ("I'll Be Your Mirror") when they weren't busy creating sounds without pop precedent. Lou Reed's lyrical exploration of drugs and kinky sex (then risky stuff in film and literature, let alone "teen music") always received the most press attention, but the music Reed, John Cale, Sterling Morrison, and Maureen Tucker played was as radical as the words they accompanied. The bracing discord of "European Son," the troubling beauty of "All Tomorrow's Parties," and the expressive dynamics of "Heroin," all remain as compelling as the day they were recorded. While the significance of Nico's contributions have been debated over the years, she meshes with the band's outlook in that she hardly sounds like a typical rock vocalist, and if Andy Warhol's presence as producer was primarily a matter of signing the checks, his notoriety allowed The Velvet Underground to record their material without compromise, which would have been impossible under most other circumstances. Few rock albums are as important as The Velvet Underground and Nico, and fewer still have lost so little of their power to surprise and intrigue more than 30 years after first hitting the racks. ~ Mark Deming, All Music Guide [-] Hide
Album: Wave
Artist: Antonio Carlos Jobim
Release Date: 5/22/1967


01. Wave Preview Purchase
02. Red Blouse Preview Purchase
03. Look to the Sky Preview Purchase
04. Batidinha Preview Purchase
05. Triste Preview Purchase
06. Mojave Preview Purchase
07. Dialogo Preview Purchase
08. Lamento Preview Purchase
09. Antigua Preview Purchase
10. Captain Bacardi




When Creed Taylor left Verve/MGM for his own label under the auspices of A&M, he quickly signed Antonio Carlos Jobim and they picked up right where they left off with this stunningly seductive record, possibly Jobim's best. Jobim contributes his sparely rhythmic acoustic guitar, simple melodic piano style, a guest turn at the harpsichord, and even a vocal on "Lamento," while Claus Ogerman lends a romantically brooding hand with the charts. A pair of instant standards are introduced ("Wave," "Triste"), but this album is to be cherished for its absolutely first-rate tunes -- actually miniature tone poems -- that escaped overexposure and thus sound fresh today. The most beautiful sleeper is "Batidinha," where the intuitive Jobim/Ogerman collaboration reaches its peak. One only wishes that this album were longer; 31:45 is not enough. ~ Richard S. Ginell, All Music Guide

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