音楽教育／音楽心理コミュの映画音楽と認知学の本１

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Cooper, David (2001). Bernard Herrmann's Vertigo: A Film Score Handbook, Westport: Greenwood
Cooper, David (2005). Bernard Herrmann's The Ghost and Mrs. Muir: A Film Score Guide, Lanham: Scarecrow
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Damasio, Antonio (1994). Descartes' Error: Emotion, Reason, and the Human Brain, New York: Penguin

Damasio, Antonio (2003). Looking for Spinoza: Joy, Sorrow, and the Feeling Brain, New York: Harcourt

Damasio, Antonio (1999). The Feeling of What Happens: Body and Emotion in the Making of Consciousness, New York: Harcourt Brace


Danly, Linda ed. (2002). Hugo Friedhofer: The Best Years of His Life: A Hollywood Master of Music for the Movies, Lanham: Scarecrow
Darby, Ken (1992). Hollywood Holyland: The Filming and Scoring of 'The Greatest Story Ever Told', Metuchen, N. J.: Scarecrow

Darby, William, and Jack DuBois (1990). American Film Music: Major Composers, Techniques, Trends, 1915-1990, Jefferson, North Carolina: McFarland Classics
Daubney, Kate (2000). Max Steiner's Now, Voyager: A Film Score Guide, Westport: Greenwood Press
Davis, Richard (1999). Complete Guide to Film Scoring, Boston: Berklee Press
Davison, Annette (2004). Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s, Aldershot: Ashgate
Davison, Annette (2003). ‘Music and Multimedia: Theory and History ', Music Analysis 22 (3): pp. 341-365
Davison, Annette (1998). ‘Playing in The Garden : Sound, Performance, and Images of Persecution’, Indiana Theory Review 19: pp. 35-54
DeBellis, Mark (1995). Music and Conceptualization, New York: Cambridge University

Dell’Antonio, Andrew (2004). Beyond Structural Listening: Postmodern Modes of Hearing, Berkeley: University of California

Deleuze, Gilles (1989). Cinema 2: The Time-Image, Minneapolis: University of Minnesota

DeMary, Thomas (2003). ‘The Mystery of Hermann’s Music for Selznick’s Portrait of Jennie ’, Film Music 1 (2/3): pp. 153-182
Deutsch, Diana ed. (1982). The Psychology of Music (Cognition and Perception), San Diego: Academic Press
Diaz de Chumaceiro, Cora L. (1998). 'Induced Recall of Film Music: An Overlooked Mirror of Transference-Countertransference Interactions', in The American Journal of Psychoanalysis 58 (3): pp. 317-327
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Dickinson, Kay ed. (2003). Movie Music, the Film Reader, London: Routledge
Doane, Mary Ann (2002). The Emergence of Cinematic Time : Modernity, Contingency, the Archive, Cambridge: Harvard University
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Donnelly, Kevin J. (2002). ‘Hitchcock’s Musical Lesson (pdf)’, Filmh廓tet 122 (2002/4):
Donnelly, K. J. (2005). The Spectre of Sound: Music in Film and Television, London: BFI
Doyle, Peter (2005). Echo And Reverb: Fabricating Space in Popular Music Recording, 1900-1960, Middletown: Wesleyan