1349◆SATYRICON◆THORNSコミュのThorns(Stigma Diabolicum)

タブ譜があるようです。
http://www.freewebs.com/grymyrk/tabs/Thorns_Aerie_Descent.html
http://www.freewebs.com/grymyrk/tabs/Thorns_Cosmic_Keys.html
http://www.freewebs.com/grymyrk/tabs/Thorns_Melas_Khole.html
http://www.freewebs.com/grymyrk/tabs/Thorns_World_Playground_Deceit.html
http://www.freewebs.com/grymyrk/tabs/Thorns_Existence.html
http://www.freewebs.com/grymyrk/tabs/Thorns_Interface_To_God.html
http://www.freewebs.com/grymyrk/tabs/Thorns_Stellar_Master_Elite.html
http://www.freewebs.com/grymyrk/tabs/Thorns_Vortex.html
http://www.freewebs.com/grymyrk/tabs/existance.txt

インタヴュー拾いました。

◆出所：　
「TRANSIT MAG」
【http://www.voicesfromthedarkside.de/interviews/thorns.htm】
◆本文：　
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This legendary and also rather mysterious band/ project from Norway has been around in the underground for quite a while already and originally started out as STIGMA DIABOLICUM. But it took mainman Snorre W. Ruch(originally known as "Blackthorn") quite some time to finally unleash the self titled THORNS debut full length, which reared its ugly head back in 2001 on Moonfog Productions after all・This following conversation with Snorre is already a bit older, but still quite interesting - and since THORNS interviews are quite rare anyway, we figured to re-publish it here on the VOICES website for your reading pleasure (it originally was done in co-operation between Sonderkrig and Agnes of TRANSIT MAG).
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TM: Could you first of all retrace the too little known history of THORNS since the cult rehearsal ' 89 which consisted of the two masterpieces 'AErie Descent' and 'Melas Khole'?

SWR: "We started earlier than ・9... We started a band called STIGMA DIABOLICUM a couple of years earlier. We changed the name to THORNS because it became very popular with latin names at that time and we didn' t want to have a mainstream name because we felt that what we wanted to do with our music was so different. We wanted to experiment to make another kind of wicked music, Metal music. We wanted to sound different to other bands and we wanted to experiment with the music so we also wanted a name that was different. We changed names at the same time as we recorded the "Grymyrk" rehearsal sessions ・have you heard about that? Yes ・that was the tape that was supposed to be just for the members of THORNS to rehearse to and to listen to in order to learn the songs because we were spread all across Norway. Faust was living in Lillehammer and our vocalist Marius was living in Oslo, so we sent them tapes instead of bringing them over to rehearse. These tapes were spread through the underground and became famous all over the world. It' s very strange!"

TM: You said 努e・ Originally THORNS was just your own idea - or was it the input of several members right from the start? It always seemed that you' re the mastermind, the main person behind THORNS...

SWR: "I wrote the music at the very beginning and I wanted to make music and it was me and Marius, the vocalist, who started out as a two-man band under the name STIGMA DIABOLICUM and then we got Otto on bass and Faust on drums so we wanted to have a band back then."

TM: And you even sang...

SWR: "Yeah! We also made a rehearsal at the school I was attending, we recorded 'AErie Descent' and 'Funeral Marches To The Grave' which later became 'Melas Khole'."

TM: By the way, what prompted you to change its title into 'Melas Khole'?

SWR: "Actually, it was the whole lyrics, so I changed the name to the song also."

TM: It seems there was a huge period of absence in the history of THORNS・could you tell me more about it and explain why the debut album was only released in 2000?

SWR: "After a while THORNS moved together in an apartment in Oslo to get things more organized and to rehearse and to write songs and stuff like that. So I lived in Oslo for 6 months (laughing). But nothing happened! We didn' t get a place to rehearse so the members didn' t spend any time writing songs or lyrics or anything. So I thought I had to do everything by myself and I wasn' t very happy with that so I joined MAYHEM. And after a while I took the THORNS material with me into MAYHEM, that was the idea. But then things in MAYHEM became not so good either so I just took things from Heist and worked for myself for a couple of years and then I kinda got tired of all the music stuff and I went into (laughing) creating sleep. And then Satyr came by and wanted to release the old THORNS demos and stuff like that, and also he wanted me to start writing music again. And then it started rolling again."

TM: So it was thanks to him, pushing you then...

SWR: "Yeah, he' s a good pusher!"

TM: Without him, motivating you to do it, you would have never done it...?

SWR: "I would probably have not done it. I think he is the main reason that I still write music now because I had other ways of being creative through drawing and painting and stuff like that. And also later I learnt how to animate. I guess I was doing those things instead of making music. But he gave me an opportunity to do something I had always wanted to do so I felt I had to grab that opportunity and do something about it and that' s why I' m here now."

TM: And right now, this creativity that you express - both through your music and animation, do you share it equally between your interests?

SWR: "No (laughing). I don' t know which comes first. I have no relation to those thoughts actually, I just do both. I don' t think about what comes first or what comes next, I try to do a little bit of both."

TM: When Satyr got you back into releasing THORNS material, then you got him, Hellhammer and Aldrahn from DHG. So would you say that right now they are full members of THORNS or is THORNS likely to change in the future depending on what you want to do?

SWR: "I think that the line-up might change a little, but I think I will use the same musicians on the next projects and also I think I want to bring in more musicians. But I will use Hellhammer, Aldrahn and Satyr if they池e still interested and hopefully I will get some more musicians to join to contribute to the project."

TM: Do you already have some musicians in mind or whom you' re asked already?

SWR: "Yeah. I think I would like to have Fenriz doing some drums stuff and also I have some unknown musicians here in Norway to do some programming, some rhythm programming. And maybe I' ve got Fino Laho (??) to do some ambient stuff. Plus I want a band of wind instruments ・like trumpets, etc."

TM: Is it true that you took part in other bands・compositions like primitive BURZUM and on a MAYHEM album・gossip or true?

SWR: "No, I didn' t compose for BURZUM, I' ve never done that. I guess, yes, kind of, not beyond my riffs, but I have been very inspired by some of the music I' ve done so it痴 sounds a bit corny somewhere (laughing). I haven' t written music for MAYHEM, I gave Euronymous some riffs that he could use for his music before I joined MAYHEM so some of the riffs on "De Mysteriis・quot; are mine or created by me. I also did a lot with the lyrics on that album because there were four or five lyrics that were complete when Dead died and the rest was just notes and sketches for lyrics, so I went through the material and I wrote proper lyrics from that material."

TM: Now to get back to your music, since the very beginning, you and Faust have drawn the face of THORNS "nesting itself deep within the substance of your soul"・a very particular way of playing Black Metal, yet very original and very raw, slow and fucking suffocating. It privileges the dark and heavy deep side of the music, at the same time granting mysticism and hysteria・Tell us more about the vibrations that drove you to this particular way.

SWR: "(laughing) I think I use a lot of dissonance in my music and I think that' s a good way to express a lot of things I feel and especially that "existence" song I think is very to the point to what I was thinking about at that time and what went through my mind because I was so obsessed with knowing everything and finding out all these questions that I became so obsessed that I really had a hard time getting out of it. It' s difficult to explain but that lyric is the lyric that I feel is the closest to my heart from that album."

TM: In general what inspires you to compose, and I am not talking musically but greater inspiration and influences?

SWR: "I try not to be so inspired by music, I try to make music from ideas, from thoughts, from feelings, from... it' s difficult, from mathematics, from physics, from stuff that happen in nature, natural events. I try to find inspiration in everything, not just music because I think if you just listen to other music it would be too narrow when you want to create something new, I try to find the inspiration somewhere else. Most of the times, I am just trying to materialize a feeling into music."

TM: And for you, the music is more important than the lyrics? Your lyrics are usually not printed...

SWR: "I try to make every part equal. I am not so good at writing lyrics as I am at writing music, I feel, so it' s much harder to do them (laughing). I needed some help to do the lyrics from Aldrahn and Satyr. But I think that lyrics are important as well but everything is important: music, rhythm, sound, artwork, everything."

TM: And when you compose, I guess you not necessarily start with riffs, you probably start from something else, a specific structure, a keyboard part...

SWR: "Yeah, that' s true! Like Shifting Channels・was composed from the rhythm, then I put on the synthesizer which goes like a wave under the song all the way and then came the guitars. Vortex・is also a different story because I made some music for an animation film, puppet animation, which was kinda a horror movie (laughing)..."

TM: Really?! Was it for an animation film only shown in Norway?

SWR: "Yes, it was in the school I was attending. There was this guy there who graduated one year before me and his exam film was this movie and he wanted me to make music for it. So I took that music and made it into a song, which became Vortex・"

TM: And do you have any preferences, not necessarily preferences, but you' ve been using both, drum-machines and a real drummer before, so how do you pick one over the other? Does it depend on what the song asks for or you' d rather have a drummer all the time?

SWR: "I would actually like to have something in between (laughing). I like the sound of real drums and I like the feeling of a real drummer with all his small details and stuff like that. But also I wanted to be strict and stern like a drum-machine and mathematical. So I want something in-between!"

TM: What can you tell us about your deal with Moonfog and how it has been done? And is there a forthcoming album to be released on Moonfog?

SWR: "Yeah. I like Moonfog and I like the way I' ve been treated by Moonfog. I think they' re very professional and that they appreciate my way of writing music. And I feel they take good care of me. I am not writing music right now but I am making sound with my synthesizer and I' m kinda diving into that now because I don' t have a studio right now. But actually we' re on the verge of moving into a new home so I will get a cellar room in there and make a little studio again and start recording and experimenting with music. But there' s no plan in the near future to release anything so I think I will concentrate on THORNS when I move, and I am thinking about making a side-project just for myself."

TM: What kind of side-project would that be?

SWR: "It will be totally different. I don' t know what it will sound like right now but I guess it will be more like ambient music."

TM: And totally instrumental?

SWR: "Yeah, I guess so."

TM: It will be all for yourself or would you involve some people in that project as well?

SWR: "I have to see about that (laughing). I am quite egoistic when it comes to making music sometimes and if I have my special ideas, I always get frustrated if other people have an opinion. But I think it' s fun working with other people because of the social aspect. I may bring other people to the project but I don' t know for sure. I would like to do something all by myself also."

TM: You' ve been involved with people from Black Metal, but would you consider working with people who are completely outside the Black Metal world?

SWR: "Yeah! I think that would be more right, especially with THORNS, to bring in other people with other musical references. Because I would rather like to go further apart from Black Metal than to bring in Black Metal musicians and make it more mainstream Black Metal, I think that痴 less exciting. I would choose to use non Black Metal people to do things in THORNS."

TM: Is that, what THORNS has done up till now, beyond Black Metal for you?

SWR: "I think that THORNS has always been a step beyond Black Metal, not necessarily in a matter of quality but also I hope more like stepping out of Black Metal in different directions. And I think we' ve been on the sideline all the way. We' re not typical Black Metal and do not wish to be. And I don' t think THORNS will ever be typical Black Metal but it still has very strong elements from Black Metal like in the instrumentation and the riffs; they are very related to Black Metal. But many of the ideas are original and not very Black Metal. Have you read the lyrics from Stellar Master Elite・ That' s very non-Black Metal!"

TM: You have influenced so many people in Black Metal. What' s your look upon nowadays scene in Scandinavia and the rest of Europe?

SWR: "I may not be the right person to ask that question because I am not following the scene in particular. I just listen to the new KHOLD album, I think it痴 very cool, very clean. And I' m also very interested into what SATYRICON does and what Dodheimsgard does, but of course these are all the bands on my label; I guess the only reason why I' m following them is because Moonfog sends me all these promos (laughing). I think it' s really cool music!"

TM: And of course they play with you...!

SWR: "Yeah, of course! I have to pay attention (laughing). But apart from that, I am not really interested, I just like to do my own things and I let them do their things."

TM: But are you glad that you' re inspired people?

SWR: "Yeah, of course. I think that' s great. Without sounding too arrogant, I think it' s great if I can inspire other Black Metal musicians to widen their horizons and widen their ways of thinking and their ways of writing music because I think that Black Metal is too narrow. And I think that was not the idea at the beginning with Black Metal. I think that Black Metal was revolutionary and it was radical but now it is conservative and very narrow. I think that all the conservative Black Metal people don' t know what Black Metal really was about back in the early 90' s, late 80' s."

TM: And did you realize that you influenced more than just Norwegian bands? For example, in my country in France, we also have bands who have been influenced by you.

SWR: "Oh?! Which?"

TM: There' s a great band for instance called BATTLEHORNS. You should check them out・and use them for the next THORNS, haha・br> "(slowly) BATTLEHORNS? Ok, I will!"
What are your plans for the immediate future?

SWR: "To get a raise (laughing). No, we' re just moving and the economy is to the limit so I hope to get a raise and I hope that my girlfriend will finish school and get a job, and that we have a proper economy and the ability to have equipment to make music and animation and be creative."

TM: As soon as you' ve got your home and your studio, you will be working on a new album for Moonfog?

SWR: "Yeah, I think so."

TM: The material for the THORNS album was written and recorded between ' 98 and ' 00, so have you been composing, writing ideas ever since?

SWR: "No (laughing). I am taking a long break in music!"

TM: With such a break, do you think that what is going to come out of you next is going to be very different?

SWR: "Maybe not, actually. I think what I will do this time, I will try to be more free when I write music because I have always wanted to achieve something special. I' ve always had a very strong image of what I wanted to create and I' ve never created something that didn' t meet my own ambition so easily. I would like to write music and see what happens instead of being so sure of what the result is going to be."

TM: Any idea about what the new material orientations could be?

SWR: "I want it to be hard, to be shocking hard and catchy like Stellar Master Elite・and Existence・ primitive and not so complicated song structures and good riffs of course (laughing). And I hope that there will be some cool lyrics also. For that album, I will try to experiment with instrumentation and kind of soundscapes in the music. I don' t know if I will do an ambient part this time, I think that would be for my side-project. But all this, I can' t promise anything because anything can happen."

TM: Do you think THORNS' music is only for a selected few or do you want your music to reach as many people as you can?

SWR: "I think I would like to reach as many people as I can but I still would have to be able to stand for it. I think that' s possible. Don' t you?"

TM: Sure, even people who don' t know Black Metal can enjoy THORNS.

SWR: "Yeah, that' s what' s great about THORNS because people tend to like THORNS even if they don' t like Black Metal so maybe I' ve found something universal (laughing)."

TM: Do you ever plan to play live?

SWR: "No, not yet. Maybe the next album will be very slow and (laughing) easy to play and then I will maybe play live with it and if the instrumentation is easy to do live. But I think I am so busy with all these other things that going on tour seems like hell to me. I am sure it would be great but I haven' t tasted it so I don' t know what I知 missing."

TM: From everything you' ve done, are there particular pieces that you are more proud of, either creatively, musically or lyrically?

SWR: "That' s a tricky question (laughing). I think some of the riffs I made I like... It' s difficult to point out something special. I am very happy with the new album, my favorite are Stellar Master Elite・and Existence・"

TM: What about 塑ou That Mingle May・that was put on the Moonfog 2000 compilation album?

SWR: "I don' t know why we chose that song, I can' t remember. It first appeared on the Grymyrk・tape and I had the chance to use Fenriz on drums and Satyr on vocals so it was great fun. And it had never been recorded with drums and vocals before so now people could hear what THORNS would sound like back in ・1. I don' t know if that' s what people expected but it' s the closest idea to what THORNS would sound like back in the early ・0s!"

TM: What are THORNS・main aim(s) (spiritual and/ or musical) and what pushes you to keep on walking the path of sorrow・

SWR: "I guess now it' s mostly for my own creativity' s sake. I like the concept of THORNS and I think it' s most fun and I learn a lot about music and about myself while I am doing it. And also I get to be in contact with a lot of interesting people. I have no intention to change the world or anything like that. I would like to show Black Metal, the conservative part of Black Metal, that it' s possible to write such music without being conservative... That would be a little goal in my head."

TM: Thanks for the interview, Snorre, and all the best for the future!

SWR: "Thank you very much as well. I think you covered every possible question, now my head is blank (laughing)! It was a pleasure, bye bye!"

THORNS discography:

"Thorns"
(full length album, 2001)
"Thorns vs. Emperor"
(split release with EMPEROR, 1999)

Compilation appearances:

"Moonfog 2000 - A Differnet Perspective" (2000)
(songs featured: 'Stellar Master Elite', 'The Discipline of Earth' (taken from "Thorns vs. Emperor") and 'You That Mingle May' (feat. Fenriz and Satyr)
"Blackend Volume 4" (1999)
(song featured: 'The Discipline Of Earth', taken from "Thorns vs. Emperor")
"Darkthrone Holy Darkthrone" (1998)
(song featured: 'Pagan Winter')
"Nordic Metal Compilation" (1995)
(song featured: 'ﾆrie Descent')

Demos / Rehearsals:

"Tr・dertun" (1992)
(songs featured: 'ﾆrie Descent' and 'Funeral Marches To The Grave')

"Grymyrk" (1989 - 1991)
(songs featured: 'Lovely Children', 'Fall', 'Thule', 'Fairytales', 'Home' and 'You That Mingle May')

with STIGMA DIABOLICUM:

"Luna Des Nocturnus"
(songs featured: 'Mare Frigotis', 'Into The Promised Land' and 'Lacus De Luna')
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◆出所：　
「Demonic Horde」
【http://home.no.net/demonh/interviews/thorns.htm】
◆本文：　
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Interview by Tribalchemy for DemonicHorde - Mar.01

Some bands inspired many others, deeply, and we naturally remember the greatest, who, for example, isn' t still tempted to listen again to Burzum "Hvis Lyset Tar Oss", Darkthrone "Under A Funeral Moon", or this majestic experiment THORNS vs Emperor?

They' re now many years that I carry an amazing cassette entitled THORNS " Rehearsals 89-91 ", never remembered where it came from, but however one of the best cassettes I ever had and still enjoy.
THORNS is a band which appears here and there since the early 90' s and belongs to the roots of Norwegian Black Metal, but their silence and our lack of information did that we forgot THORNS many times. Until their rebirth in 98 with their versus together with Emperor. This unusual release astonishes by his powerful sound, his modernity, and the quality of the music.
THORNS also appears in the Moonfog Compilation "A Different Perspective" with another surprise "THORNS featuring Fenriz and Satyr", with their characteristic powerful and slower rhythms, an unholy old school release!
They finally present their first full-length CD 2001, recently produced by Moonfog. The songs are faster, combining old Black Metal elements together with modern, anticipating industrial sounds. The malefic heavy and slower parts are still here, stronger than ever!
The axe-member of THORNS, S.W. RUCH, could learn us a little bit more about this slow progression.
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DH: 1- Any satisfaction when thinking about upcoming album? Could we discuss about the old and new THORNS, perhaps unveil it?

SWR: Well, it feels good to have finished the first album. At last! And to get so much tremendous feedback from the press and other people that have heard this album in advance to it' s release just enhances the feeling! Comparing old and new Thorns is always difficult I think. That is because the basic idea of Thorns has always been to create new strong songs, to develop and to push limits. I guess I have grown better as a songwriter and that I more easily can transform my ideas into a musical statement.

DH: 2- It' s right that there are so few information' s, articles, photos about THORNS, that the worshippers of THORNS truly like it for the music! Any reasons to this silence? If we turn one instant over the past of THORNS, when this trio was called Stigma Diabolicum, we can even find one Demo entitled "Grymyrk" (forest?). Could you remind us the first line-up, and the THORNS formation?

SWR: I have never been concerned with promoting Thorns as I' ve focused more upon creating than fame. I guess I should try to get better at it in the future... It' s good though that we are recognised for the quality of our music and not for tremendous promotion campaigns! The line-up during the Grymyrk period (Grymyrk does not mean forest) was Faust, Marius from Mortem and Arcturus, a bass player named Harald (he later played in Frost) and me. The Grymyrk tape was recorded with bass and guitar by Harald and me. It was intended as a reference tape for Faust and Marius, which lived far away from us. The tapes then found their way trough the underground and became famous...

DH: 3- Instead of going on with THORNS, you' ll play later in Mayhem, I even read in another interview that their album "De Mysteriis Dom Sathanas" was originally one part of THORNS material. I' m here very surprised. But at least perhaps explains a little bit why this polemical Mayhem album keeps these darker and cold atmospheres, distinguishing it from the other Mayhem albums. Did you like your participation into Mayhem, and still keep good relations with the other musicians?

SWR: I played with Mayhem, and some old Thorns material were used on Mysteriis, but not much. The idea was to use the other Thorns songs for the next Mayhem album. That did not happen as we know... I used Hellhammer on my new album, so it' s quite obvious that we still have contact. Apart from that, Necrobutcher and I talk whenever we meet. I don' t really know the other guys.

DH: 4 - THORNS became a one-man band, but did you even plan to become a band, or record any THORNS material? How important was THORNS for you? I read also in an Emperor interview from 96 that Bard thought about going on with some THORNS material from the jail, did he do that? Do you keep some relations with Bard, did/do you plan to perhaps reform THORNS with the earlier line-up?

SWR: For a long time I just had Thorns as a possible project, and I wrote some music occasionally without any greater ambitions. Thorns has always been an important channel of expressing myself alongside other things I' ve been doing. There are no plans of reforming Thorns with the old line-up at the present.

DH: 5- Are they any other bands you earlier briefly play with or some who got inspiration from your previous creations? Do you feel satisfied, pleased with that, did they use it well; did they bring also inspiration to you to continue with THORNS music?

SWR: After forming my own band, I' ve never played seriously with other bands apart from Mayhem. I played some hardcore before that, and synthesiser music some years ago, but nothing ambitious...

DH: 6- In 98, Moonfog released the split CD THORNS vs EMPEROR, an excellent release from both the bands. The album was so unusual by the sound first; the sound was very powerful, balanced. Isahns voice fitted perfectly the heavy and slower parts. The whole kept an almost futuristic aspect. Do you personally like this release, this collaboration? Did you like Emperors versions of your tracks? When thinking about it, are some parts you think that still could be improved?

SWR: I am always too critical towards my own music and think I could improve this and that. The thing about the T vs. E album I am not totally happy with is the Thorns sound. It is to nasal for my taste... Apart from that I am pleased. The Emperor versions of my songs are great I think!

DH: 7 - Mixing those kind of almost industrial atmospheres was pretty unknown in 98. Since then, many BM bands turned into this industrial way, with more or less ability I think. This anticipating style is now well accepted after Satyricon released their Masterpiece "Rebel Extravanganza", which shook in the beginning many BM listeners. I also think this aspect is one of the characteristic of your music, which often seemed to have the lead over the other Black Metal releases. What do you think it comes from? Is it because you need a long time to create your music, or a long time to improve it; so then, the songs become stronger, more achieved? Is it because of this mix of traditional metal parts together with modern, futuristic sounds?

SWR: Thanks! I have always used all the elements that I felt necessary to reach my goal. I am not conservative, and think it would obstruct my creativity and my intentions for my music if I were to use only the conventional instrumentation and the standard formula. I try to create strong songs, and I work hard to achieve that. Experimentation is also an important part of the song-writing process. I want my music to be extreme in many ways, not only dull and dark friendly-for-the-black-metal-listener composition, but more hostile.

DH: 8 - You already participated into the Moonfog Compilation "A Different Perspective", could you tell us a little bit more about these tracks and your coming on Moonfog? What, who decided you to release at least an independent THORNS album? THORNS CD 2001 is the first full-length THORNS album, could you present also the musicians playing in THORNS album? Do you think about a suitable line-up for THORNS or would you continue as a one-man band? You perhaps have others musical projects? Did you bring some older creations in this album?

SWR: I consider Thorns as a project as things are now, and Moonfog are the company that allows me to do my musical experimentation. To make an album has always been an ambition. For this to happen I needed some assistance from other musicians. Satyr and Aldrahn help me out with their splendid vocals and lyrics. Hellhammer did the drumming in his unique style, and that lifts the product a great deal if you compare it to the Thorns vs. Emperor where I used a programmed drums. For the future I will consider to bring even more musicians into the project. More vocalists, hopefully some Fenriz drumming and additional musicians. The material on this album is not older than two and a half year old, so it' s fresh!

DH: 9 - The Lyrics are also an important part of your music, deep and just. Very few bands can still wear this term: occult. But I think it' s the right term: some apocalyptic parts resembling old secrets about life, unveiling some parts of the cosmos, some states of our mind. They're strong, intemporel, mystic. Do you write all of them? And what do you speak about? Where comes your inspiration from to write them? Are they a part of your own feelings. Why didn' t you choose any title for this album?

SWR: I' ve had some help from Aldrahn and Satyr, which wrote some lyrics for this album. I guess they all about being a coded vehicle in a mathematical cosmos... And different aspects of that. It was natural to leave the debut album untitled. Especially because I did not come up with a strong name for it.

DH: 10 - About your musical inspirations, you' ve got a very independent and strong style; we can perhaps notice some Old Satyricon influences, but the similarities stop right here. THORNS music develops many melodies but your music doesn't keep any symphonic aspects. Even the slow parts are dark and raw, tormented as a painful march, almost mechanical. Do you listen to actual Black Metal, which bands do you like? And other musical style do you personally enjoy? Do you like some synthetical music, as Wondgraven, or industrial, as Rammstein? The hateful vocals are very intense, remaining some Death Metal in the fast parts, and Vocals. The spoken parts are especially intense, did you do any vocals on this album?

SWR: I don' t find melody interesting, I am more concerned with the structure of sound. I try to create movement, and sometime static sound. Animation of sound... I do not listen much to metal as I want to stay un-influenced. I do the vocals on Vortex, but apart from that, Satyr and Aldrahn are in charge of the vocal work.

DH: 11 - Where could your favourite wandering take place? In some isolate places of nature, through the Norwegian forests and others great landscapes? By night, alone through a metropolis, on metal bridges overhanging luminous and noisy motorways, beside immense and inordinate constructions and purring factories?

SWR: I' m more of a venturer of the mind. I find most places inside me, but I also like the city and the nature. And do not forget the universe! I love sci-fi!

DH: 12 - I sincerely thank you for this interview, with a little bit humour I add that if you took more than 10 years to release the THORNS album, it' s almost the same time I wanted to know a little bit about this atypical band, as many others THORNS fans for sure! I let you add the last words, and wish you great THORNS albums, those vanguard creations.

SWR: Thank you to! I hope everybody will have patience with me, and that I will not use so long to finish the next album! REVEL!!!

More info on www.moonfog.no.
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