Evan Parker, soprano and tenor saxophones; Derek Bailey, guitar, Han Bennink, percussion. Titan moon (20.48), For Peter B and Peter K (04.32), Fixed elsewhere (05.05), Dogmeat (12.18)
Recorded in London on 13 July 1970.
Front cover print (partly reproduced above) by Alan Johnston.
In the midst of an array of whacky excerpts about acoustical, anatomical and related subjects there is the sentence 'Frederick Rzewski writes about free improvisation and makes sense' and also a statement from one of Evan Parker's recommended saxophone tutors. The foreword to the second edition of Top-tones for the saxophone; four-octave range by Sigurd M Rascher (1961) contains the statement: 'register. On the other hand, the student who realizes that mind (concept) and body (embouchure, fingering) must work together, will in due course succeed. We too often under-estimate the power of the active mind.' Also included in the 3rd edition, 1977, Carl Fischer p.4.
はじめまして、わりこみすみません。AMM at the Roundhouse CD買いましたが、正直おもしろくないです。録音はこれより前の、ロウとカーデューの入ったthe cryptなどは完全にフリーフォームですし、いつ変わったということでは無くて、これはプレヴォらの志向の違いということではないでしょうか?