開催終了民族誌映画上映会
詳細
2006年08月10日 20:22 更新
日 時：８月１１日１３時３０分〜１８時
場所：京都大学大学院アジア・アフリカ地域研究研究科共同棟５階講義室
上映作品 【Classic Anthropological Films】
■First Anthropological Films: Haddon's Cambridge Expedition to Torres Strait 1898 4min.http://
■ Dance and Trance on Bali - Film Documents of the Years 1937-1945 by Schlager, Ernst 41min. 1. Two exorcist dramatic dances with trances: Calonarang drama, Barong and Rangda, performed at Pagutan, Calonarang drama and Janger dance, performed at Pegog. 2. A diviner-doctor burning incense in order to go into a trance. 3. Two exorcist dances, with trances, to fight off epidemics and sickness. Sanghyang Bungbung, performed at Sindhu, and Sanghyang Celeng, performed at Duda. 4. Dance instruction and rehearsal at Saba.
■ Childhood Rivalry in Bali and New Guinea by Gregory Bateson and Margaret Mead 1953 17min.This film consists of a series of scenes in which children of the same age in different cultures, in Bali and in New Guinea, respond to the fact that their mother gives her attention to another child. The Film compares material from Bali and New Guinea. The Balinese mother reproach her child for its jealousy , while the mother from Iatmul tries at all cost to prevent her child from becoming jealous. Margaret Mead and Gregory Bateson are pioneers in using film and photography in social anthropological studies. During their field work on Bali and New Guinea 1936-38 they demonstrated what photography and film can supply during collection of data. It is not a question of simply taking picturess to assist memory, but systematic picture making for later analysis. 25 000 stills and 22 000 feet of film, depicting different stages in the socializing processes of children, constitute the material which they finally can take home from the field. The Balinese mother handles sibling rivalry by theatrical teasing of her own child through conspicuous attention to other babies. The Iatmul mother in New Guinea, even when nursing a newborn enfant, makes every effort to keep her child from feeling jealous. The intention of the filmmakers was to decipher from these systematically photographed behaviour patterns forms of learning that non-verbally revealed cultural patterns.
【マンチェスター大学社会人類学映像Part 1】
■Uncle Poison By Ricardo Leizaola color, 60 min, 1999 A healer on healing, medicine & religion...Filmed in the modern city of Caracas, capitol of Venezuela, Uncle Poison is an intimate portrait of a traditional faith healer, set against the backdrop of his community's Easter celebrations. Every day Benito Reyes receives people at his house looking for all sorts of cures. Through his own testimony this documentary looks at the healer's role as mediator between the social, natural and spiritual worlds. Curing someone or harvesting medicinal leaves, he must first seek permission from the plants he uses and from a variety of Saints. And Like some plants and spirits, Benito has the power to extract the sickness and spells from his patients. A conjunction of sacred and profane, celebrating and mourning, Easter provides a rare opportunity to look at traditional faith healing in a wider social and religious context. The film suggests an underlying cultural rationale behind a broad spectrum of apparently contradictory health related practices, where man and the environme nt are inextricably linked.
■We Are Born to Survive Paul Okojie,1995,29 mins (various formats) A political biography of the activist Kath Locke, from Manchester's Moss Side, based on an interview conducted shortly before her death in 1992, aged 64. Confronted with racism at an early age, she was sustained by a strong sense of belonging to the African diaspora throughout her many campaigns for the rights of black people, both at home and abroad. She was also highly active in campaigning for women's rights as well as in the promotion of many different educational and cultural activities, including the formation of Moss Side's celebrated Abasindi women's dance group.
【主催】京都映像人類学研究会／現代中東イスラーム世界・フィールド研究会http://
場所：京都大学大学院アジア・アフリカ地域研究研究科共同棟５階講義室
上映作品 【Classic Anthropological Films】
■First Anthropological Films: Haddon's Cambridge Expedition to Torres Strait 1898 4min.http://
■ Dance and Trance on Bali - Film Documents of the Years 1937-1945 by Schlager, Ernst 41min. 1. Two exorcist dramatic dances with trances: Calonarang drama, Barong and Rangda, performed at Pagutan, Calonarang drama and Janger dance, performed at Pegog. 2. A diviner-doctor burning incense in order to go into a trance. 3. Two exorcist dances, with trances, to fight off epidemics and sickness. Sanghyang Bungbung, performed at Sindhu, and Sanghyang Celeng, performed at Duda. 4. Dance instruction and rehearsal at Saba.
■ Childhood Rivalry in Bali and New Guinea by Gregory Bateson and Margaret Mead 1953 17min.This film consists of a series of scenes in which children of the same age in different cultures, in Bali and in New Guinea, respond to the fact that their mother gives her attention to another child. The Film compares material from Bali and New Guinea. The Balinese mother reproach her child for its jealousy , while the mother from Iatmul tries at all cost to prevent her child from becoming jealous. Margaret Mead and Gregory Bateson are pioneers in using film and photography in social anthropological studies. During their field work on Bali and New Guinea 1936-38 they demonstrated what photography and film can supply during collection of data. It is not a question of simply taking picturess to assist memory, but systematic picture making for later analysis. 25 000 stills and 22 000 feet of film, depicting different stages in the socializing processes of children, constitute the material which they finally can take home from the field. The Balinese mother handles sibling rivalry by theatrical teasing of her own child through conspicuous attention to other babies. The Iatmul mother in New Guinea, even when nursing a newborn enfant, makes every effort to keep her child from feeling jealous. The intention of the filmmakers was to decipher from these systematically photographed behaviour patterns forms of learning that non-verbally revealed cultural patterns.
【マンチェスター大学社会人類学映像Part 1】
■Uncle Poison By Ricardo Leizaola color, 60 min, 1999 A healer on healing, medicine & religion...Filmed in the modern city of Caracas, capitol of Venezuela, Uncle Poison is an intimate portrait of a traditional faith healer, set against the backdrop of his community's Easter celebrations. Every day Benito Reyes receives people at his house looking for all sorts of cures. Through his own testimony this documentary looks at the healer's role as mediator between the social, natural and spiritual worlds. Curing someone or harvesting medicinal leaves, he must first seek permission from the plants he uses and from a variety of Saints. And Like some plants and spirits, Benito has the power to extract the sickness and spells from his patients. A conjunction of sacred and profane, celebrating and mourning, Easter provides a rare opportunity to look at traditional faith healing in a wider social and religious context. The film suggests an underlying cultural rationale behind a broad spectrum of apparently contradictory health related practices, where man and the environme nt are inextricably linked.
■We Are Born to Survive Paul Okojie,1995,29 mins (various formats) A political biography of the activist Kath Locke, from Manchester's Moss Side, based on an interview conducted shortly before her death in 1992, aged 64. Confronted with racism at an early age, she was sustained by a strong sense of belonging to the African diaspora throughout her many campaigns for the rights of black people, both at home and abroad. She was also highly active in campaigning for women's rights as well as in the promotion of many different educational and cultural activities, including the formation of Moss Side's celebrated Abasindi women's dance group.
【主催】京都映像人類学研究会／現代中東イスラーム世界・フィールド研究会http://
困ったときには
