Date： 15 May 2011
Tracks：Original ver?〜? + Bonus Track?Petals＆?Callipose
△The Nothing / Nightly, Daily
Date： 1 Mar 2011
Tracks：【全3曲】?The Nothing?Nightly Daily?Sleepless
Date： 6 Jun 2010
Tracks：【全12曲】?Apologetic Shoulder Blades?Lovely Bloodflow?Maximalist?♥?Animals?Rafting Starlit Everglades?Hall?You're My Excuse to Travel?Rain Smell?Indoorsy?Plea?Departure
For mercurial Los Angeles music-maker Will Wiesenfeld, Baths has been a long time coming. The 21-year-old has spent the better part of his days living amidst “pleasant” and “unremarkable” in the suburbs of the San Fernando Valley, so perhaps it’s due to a general lack of local inspiration that Wiesenfeld’s own work has never fit into a prefab box of its own. Over the last six years, under the handle of [Post-Foetus], Wiesenfeld has gainfully explored the intersections and outer reaches of both electronic and acoustic music. With Baths, his eclecticism finds its greatest focus yet, in a hail of lush melodies, ghostly choirs, playful instrumentation and stuttering beats.
Wiesenfeld’s trip began at age 4, when he willed his parents into enrolling him in piano lessons. (The family upright, purchased that same year, sits in his bedroom today.) By 13, he’d begun recording his own music using Digital Performer and a MIDI keyboard – a brief, ill-advised foray into Eurobeat that was set right when Wiesenfeld heard Björk for the first time. Mind blown, he quickly boned up on viola, contrabass, and guitar and took the name [Post-Foetus], stringing together countless live configurations to execute his increasingly inimitable compositions. [Post-Foetus]’ fourth album – a Dntel-ish, song-based mélange dubbed The Fabric – was released on Mü-Nest in January 2010.